Cher Public

Easily assimilated

I’ve never liked the term “crossover.” It makes it sound like such a big deal—a rite of passage almost, or at least something that requires a roadmap and a visa. Why can’t we just have classical singers doing popular music (also the other way around, though that’s rarer) working with their own sound and instincts to explore another idiom?  Read more »


On paper, the prospect of hearing Kindertotenlieder in a crypt is a macabre one: Rückert’s poems alone are a harrowing read, a cry of anguish over the premature deaths of the poet’s two children, and Mahler matches the torment of the text with some of his most gut-wrenching, and indeed, most beautiful music.  Read more »

Disappearing act

It seems somewhat incongruous that a state of euphoria could be reached after the emotionally wrenching journey Leos Janácek’s astonishing song-cycle Zápisník zmizelého (The Diary of One Who Disappeared) takes the listener on, but tenor Matthew Polenzani and pianist Julius Drake’s performance left this listener in just such a state.  Read more »

Grazie Millo

There are, on rare occasions, moments in a live performance where some intangible symbiotic relationship between audience and performer creates an instant that borders on the sublime.

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But wait! There’s more!

Sunday’s sold out Carnegie Hall recital became a veritable love-fest between the Peruvian tenor and those assembled in the Hall. 

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Beast in show

Christopher Maltman created a fun, coherent, often whimsical journey exploring the animal kingdom through a selection of animal songs.

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Bland date

With a program of Schumann, Wagner, Ravel and de Falla, mezzo-soprano Elina Garanca and pianist Kevin Murphy delivered a underdone performance at Carnegie Hall on Tuesday night.

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Boys of the baroque

In less than 10 days two outstanding countertenors, Franco Fagioli and Jakub Józef Orlinski, visited London.

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