Patrick Mack

Patrick Mack starting listening to opera as a teenager to the total bewilderment of his rock and roll mother. He sang leading roles in the opera departments of Santa Monica College and UCLA and for two years in the Baltimore Symphony Chorus. In 2003 he joined the tenor section of The Verdi Chorus which has been giving young singers paid performance opportunities for over 30 years. He has served on their Board of
Directors since 2012 and handles their publicity, marketing, and Facebook page. Patrick is a luxury cruise consultant with All-Travel in
Los Angeles and was honored as one of the Top 25 Travel Agents in the country in 2015 by Travel Agent Magazine. Having weaned himself from an
early age on the musical opinions of Andrew Porter in the New Yorker, he has been wielding the critics pen on Parterre.com since 2011.
His singing of the national anthem has never failed to impress those standing closest to him at any public event he attends.


I believe in unicorns I believe in unicorns

Sunday evening Los Angeles Opera presented tenor Javier Camarena in recital to a wildly enthusiastic audience from the stage of the Dorothy Chandler Pavilion.

on October 24, 2019 at 8:48 AM
Ray of ‘Light’ Ray of ‘Light’

An opera company presenting a Broadway musical that centers around a woman of a certain age travelling to Italy with her young daughter might seem more a vehicle for a great diva of a certain age.

on October 14, 2019 at 10:00 AM
If I had a photograph of you If I had a photograph of you

I’m certain I wasn’t the only one thrilled to bits to see LA Opera’s production of La Bohème finally retired after 26 years and seven mountings.

on September 29, 2019 at 1:26 PM
Girl of the emboldened west Girl of the emboldened west

L’Italiana in Algeri‘s appearance at the Salzburg Festival should be no surprise since Ceciila Bartoli has been the intendant of the Whitsun Festival extension at Salzburg since 2012.

on September 03, 2019 at 5:35 PM
È la solita storia del tenore È la solita storia del tenore

While Luciano Pavarotti may have brought opera to the people, once he realized how lucrative it could be, there was a string of promoters who helped him turn all that adoration into cold hard cash.

on June 18, 2019 at 12:21 PM
Mr. Fabulous Mr. Fabulous

Michael Fabiano is a boss. This is a fact. 

on June 17, 2019 at 9:00 AM
Paris in the springtime Paris in the springtime

La Traviata offered a cast of fresh debutantes and an uncommonly strong musical performance that could hardly be bettered.

on June 04, 2019 at 9:36 AM
What the cat dragged in What the cat dragged in

As you can imagine, oaths are sworn, curses are flung with avidity, and a mysterious shepherd sings a tune of foreboding from a distant mountain gorge just when you’d expect it.

on May 07, 2019 at 1:44 PM
Take the long way Rome Take the long way Rome

Russell Thomas’s opening aria, “Del piu sublime soglio” displayed an intense attention to the text and some surprisingly beautiful piano phrasing that I’ve never heard risked before and it brought wonder and gooseflesh.

on March 05, 2019 at 11:40 AM
Stranger with candy Stranger with candy

Saturday night I navigated the Music Center concourse, or what’s left of it with it’s seemingly eternal construction to the main plaza, wending my way to the Dorothy Chandler for the opening night of LA Opera’s Hansel and Gretel.

on November 19, 2018 at 10:00 AM
Uphill climb Uphill climb

The Albanian soprano Ermonela Jaho is surely the reason that Covent Garden has made a commercial release of this “Live to Cinemas” relay from March of 2017.

on November 19, 2018 at 9:00 AM
Truth, force Truth, force

I hardly know where to heap my praise first.

on October 22, 2018 at 11:04 AM
Marquis name Marquis name

For opening night of the new LA Opera season Placido Domingo decided to return to one of his best Verdi showcases, Don Carlo, only this time as the baritone, Rodrigo the Marquis di Posa, instead of the title character.

on September 24, 2018 at 10:00 AM
Very warm for mayonnaise Very warm for mayonnaise

The career of our beloved Renée Fleming deserves to continue… by whatever means necessary.

on September 17, 2018 at 10:22 AM
Being alive Being alive

Orfeo’s  latest edition is a 1978 performance of Lucia di Lammermoor with a very estimable cast that on its surface may seem a tad mundane but the extensive liner notes (with performance photos) tell the story of why it held such magic.

on September 04, 2018 at 9:00 AM
O sink hernieder, Nacht der Lenny O sink hernieder, Nacht der Lenny

Well here we are, beloveds, still swathed in the warm glow of the Leonard Bernstein centennial. Box sets abound like bunnies in a hutch.

on July 16, 2018 at 9:25 AM
Meeting Rigoletto Meeting Rigoletto

I have a confession to make. I have been taking Rigoletto for granted.

on May 16, 2018 at 10:00 AM
Twist of fate Twist of fate

The Verdi Chorus celebrated their 35th anniversary with their spring concert weekend entitled The Force of Destiny last Saturday night and Sunday afternoon.

on May 03, 2018 at 8:13 AM
Every day a little death Every day a little death

Neumeier adapted the story close to home, making Orpheus a choreographer and his wife a star ballerina.

on March 14, 2018 at 11:22 AM
The fire of artifice The fire of artifice

My mother leaned in and quietly whispered,”Is that Leontyne Price?” to which I replied,”Shhhh!”

on February 19, 2018 at 11:17 AM
Melody and more Melody and more

The arrival of a new recording of Giuseppe Verdi’s Otello into the catalogue, to say nothing of a new tenor capable of singing Otello, is generally cause for hosannas all around in operatic circles.

on February 03, 2018 at 10:25 AM
Dames and divas Dames and divas

The Eloquence label of Australia, the down under-arm of Decca and now by extension Deutsche Grammophon, seems to specialize in the re-release of “Auld Lang Syne” treats.

on January 03, 2018 at 9:00 AM
Babylon revisited Babylon revisited

What if you could time travel back to the first run of Giuseppe Verdi’s first great success Nabucco?

on November 07, 2017 at 2:31 PM
Diver gent Diver gent

Georges Bizet’s Les pêcheurs de perles has been knocking steadily at the door of the standard repertoire now in this country for quite some time.

on October 09, 2017 at 9:30 AM
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