Patrick Mack starting listening to opera as a teenager to the total bewilderment of his rock and roll mother. He sang leading roles in the opera departments of Santa Monica College and UCLA and for two years in the Baltimore Symphony Chorus. In 2003 he joined the tenor section of The Verdi Chorus which has been giving young singers paid performance opportunities for over 30 years. He has served on their Board of
Directors since 2012 and handles their publicity, marketing, and Facebook page. Patrick is a luxury cruise consultant with All-Travel in
Los Angeles and was honored as one of the Top 25 Travel Agents in the country in 2015 by Travel Agent Magazine. Having weaned himself from an
early age on the musical opinions of Andrew Porter in the New Yorker, he has been wielding the critics pen on Parterre.com since 2011.
His singing of the national anthem has never failed to impress those standing closest to him at any public event he attends.
Patrick Mack
Cast your minds back to the late ‘80’s and you’ll likely recall that Cecilia Bartoli had a particularly swift and spectacular rise from talented novice to opera superstar. You could even use the word “meteoric” without fear of hyperbole. Read more »
The marketing machine at Decca Classical is such a juggernaut some of you may be surprised to learn that Luciano Pavarotti has been dead for 12 years. What with 24-bit remasterings and now Blu-ray reissues and re-packagings (back to the original covers…genius!) the torrent of audio releases seems unending. Read more »
Michael Fabiano is a boss. This is a fact. Read more »
Grand Prix winner of the International Tchaikovsky Competition, soprano Hibla Gerzmava returns to Carnegie Hall, with pianist Ekaterina Ganelina, for a recital in Stern Auditorium/Perlman Stage on Friday, November 1, 2019, at 8:00 pm. Her program will feature art songs by such Russian masters as Glinka, Rimsky-Korsakov and Prokofiev coupled with those by Hahn and Fauré set against a backdrop of arias by Verdi and Donizetti.
La Traviata offered a cast of fresh debutantes and an uncommonly strong musical performance that could hardly be bettered.
As you can imagine, oaths are sworn, curses are flung with avidity, and a mysterious shepherd sings a tune of foreboding from a distant mountain gorge just when you’d expect it.
Russell Thomas’s opening aria, “Del piu sublime soglio” displayed an intense attention to the text and some surprisingly beautiful piano phrasing that I’ve never heard risked before and it brought wonder and gooseflesh.
Saturday night I navigated the Music Center concourse, or what’s left of it with it’s seemingly eternal construction to the main plaza, wending my way to the Dorothy Chandler for the opening night of LA Opera’s Hansel and Gretel.
The Albanian soprano Ermonela Jaho is surely the reason that Covent Garden has made a commercial release of this “Live to Cinemas” relay from March of 2017.
Cher Public