Some filth or dementia from piotr
Pure dementia. Magda Olivero in the finale to Fedora.
Pure dementia. Magda Olivero in the finale to Fedora.
Parterre Box invites you to cool off with a dip in the lake alongside Sonya Yoncheva and Pavel Černoch in Rusalka.
What is more demented than a thrilling performance of Strauss’s Elektra?
This Strauss is demented in the best way possible.
To make a success of the Empress in Frau ohne Schatten, it is not enough to be a fine singer and a great actress.
For those with Odyssey fever, this week’s Grand Tier Grab Bag item features a performance of another ancient epic: Les Troyens with Russell Thomas.
Love it or hate it, you can’t deny it’s iconic!
I’ve only heard one performance that could be described as ‘filth.’
I could not wrap what’s left of my mind around the concept of “filth and dementia” in opera
Renée as Thaïs finding salvation while trudging through the parched Egyptian desert in off-the-shoulder La Croix atelier.
Alexander Köpeczi, currently plying leading roles in two operas in Santa Fe and, rumor has it, the life of one prominent soprano, is the object of this week’s Grand Tier Grab Bag.
That this performance of Verdi’s Lady Macbeth was recorded and preserved for posterity is beyond the pale.
Rising stars Chelsea Lehnea and Ricardo José Rivera are the protagonists of this week’s Grand Tier Grab Bag.
Who doesn’t love a slightly murky archival recording?
Ma che brutta figura per la lirica!
I sort of have a love/hate fascination with countertenors/male falsettists.
Karina Gauvin slays for the slayed. Werk Bitch.
Zubin Mehta was a major part of musical life when I moved to Southern California in 1969, having started his tenure as music director of the Los Angeles Philharmonic.
It’s a busy summer for Vida Miknevičiūtė and Eric Cutler, the subjects of this week’s Grand Tier Grab Bag.
It is no wonder Bernard Herrmann relishes the wistful lyricism in Barber’s masterwork, as Herrmann’s score for Vertigo is among the most beautiful and haunting of all film scores ever composed.
Based on exactly one recording, Maurice Abravanel is my favorite opera conductor.
Cher public is exhorted to join the Geplauder when the annual week of broadcasts from Bayreuth begins on Saturday
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