Parterre Box
For vibrato fanciers, of course, discovering Supervia is like hitting the mother lode.
Yes, the Met had Birgit Nilsson – so they let the volcano that was Gertrude Grob-Prandl‘s voice slip through their fingers.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
So much color in this beautifully agile voice.
Opera Theater of St. Louis’s summer festival opened last night and Parterre Box is celebrating by launching a new feature: custom travel guides!
I’m surprised that American soprano Maria Kanyova has never performed at the Met, even though she has loads of high-profile U.S. opera credits.
The fact that Barbara Hannigan has never performed at The Metropolitan Opera is just plain dumb.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
From one Mister Snow to another, I salute him.
It has become that time of evening… to opine during the latest round of The Talk of the Town.
I was a huge fan of Anna Netrebko.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Here in Chicago, I’ve had many a shot at listening to Riccardo Muti as a Verdi conductor.
I’ve never been shy about my adoration of Anna Moffo.
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
Bring on the drama, mama!
Tito Gobbi‘s performance of Rigoletto’s “Cortigiani, vil razza dannata” offers the most musically and dramatically complete portrait of Verdi’s tortured court jester that I have ever heard.
“Soprano Vida Miknevičiūtė will make her company debut singing the role of Minnie in the new production of Puccini’s La Fanciulla del West, replacing Sondra Radvanovsky, who has withdrawn due to personal reasons.”
The American tenor, who made a triumphant mid-career comeback in 2022, has died.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
I’ve looked to Sherrill Milnes many a time for insight and guidance whenever I’ve added a new Verdi role to my repertoire.
Stiffelio has always been the dark horse of early Verdi operas.
I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
The air held a real charge that night in SF’s War Memorial Opera House.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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