Julian Budden‘s masterful, three-volume analysis of the entire Verdi oeuvre is fascinating reading.

Although presented as an overview of the performance of Italian opera from the first half of the 19th century, Divas and Scholars is really an impassioned defense of musicology as a discipline and of Italian opera as a subject worthy of scholarly attention.

If you love the astonishing vocal works of J. S. Bach, John Eliott Gardiner’s 2013 book is a deeply rewarding read.

A fascinating autobiography that delivers both on the diva anecdotes and on intelligent artistic observations about the singer’s life.

Fascinating account of the role of musical theater in an uneasy context of art emerging from the conflict and resolutions of high culture and popular sentimentality in an era where elites were challenged by political instability.

Man, I tried so hard to get this commissioned as a radio drama, because I want everyone to know what a ride this book is.

Not about opera per se, Sweeney Todd notwithstanding, but I’m looking forward to reading the poignant and touching ode to Sondheim’s oeuvre by Richard Schoch.

Joseph Caldwell produced this charming tale from a year spent in Italy on the Rome Prize from the American Academy of Arts and Letters.

I think most of us have come around to recognizing John Adams‘s Doctor Atomic the masterpiece that it is.

A bleak and somber version of the familiar story by Saint-Réal, mixing facts with fiction, making it even more tragical than the Verdi opera.

Because D.M. Thomas‘s book was a famous book back in its day — I read it in the mid-eighties, yet have forgotten 90% of what it’s all about.

Astrid Varnay‘s autobiography. Entertaining, cogent. Shows wit and character. Much more than “I sang, I got applause, and everyone loved me.”