Reviews
A Pasolini-inspired Tosca at La Monnaie does not quite find the pleasure in the pain.
The Bayerische Staatsoper’s Ring cycle scores another triumph with Tobias Kratzer’s take on Die Walküre.
Greek National Opera’s Medea in the ancient theater at Epidaurus is an intermittently rewarding exercise in nostalgia.
San Francisco Opera hosts an exuberant tribute to queerness past and present.
Brett Dean‘s Of One Blood casts a well-trodden Tudor tale in a poignant, new light.
Brundibár at the Opéra Comique combines whimsy with historicity to sobering effect.
The premiere recording of David T. Little’s What Belongs to You reveals a work of both tenderness and artistic tenacity.
Yannick Nézet-Séguin, leading the Met Orchestra, and Joyce DiDonato continue their exploration of Mahler at Carnegie Hall.
Opera Theatre of Saint Louis does its best to give magic in its summer productions of Roméo et Juliette and A Streetcar Named Desired.
Wolf Trap Opera triumphs in a fizzy, fun Cenerentola.
Baltimore Symphony Orchestra’s concert Rigoletto hits some vocal turbulence
Conductor Eun Sun Kim and soprano Elza van der Heever play to their strengths in a piercing revival of Elektra at San Francisco Opera.
Matthew Travisano has such doubts about Douglas Cuomo‘s opera recently seen at Opera Parallèle.
Supported by an ingenious production and strong performances, Antonia Bembo’s Ercole Amante makes a successful Paris Opera debut.
Emma Hoffman reports on the glimmers of ecstatic artistry in Lise Davidsen‘s all-Schubert recital at Carnegie Hall with James Baillieu.
Elsa Dreisig, Jonas Kaufmann, and Malin Byström lead recent album releases.
Maria Kataeva makes a promising US debut in an otherwise uneven revival of Il Barbiere di Siviglia in San Francisco.
A.J. Goldmann on the Salzburg Festival’s revolving doors, both in its administration and in its delectable production of Il viaggio a Reims.
Bass-baritone Le Bu’s recital with Vocal Arts DC highlighted his linguistic and timbral versatility.
A new production of Die schweigsame Frau at the Berlin Staatsoper has precious little to say.
Christopher Corwin picks the flowers of a baroque May in New York City with reviews of concerts starring Lauren Snouffer, Key’mon Murrah, and the Oratorio Society of New York.
Don’t expect any sweeping statements from Franz Welser-Möst ‘s polished, if dramatically inert, Fidelio.
Die Walküre heralds the end of an era for the Los Angeles Philharmonic — and the arrival of a new generation of Wagnerians.
Iain Bell and Lydia Steier‘s Medusa stuns in Brussels.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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