Calm and composed
In between performances of Strauss and Mozart, Parterre Box highlights the smolderingly elegant Samantha Hankey.
In between performances of Strauss and Mozart, Parterre Box highlights the smolderingly elegant Samantha Hankey.
A new English translation of Puccini’s La fanciulla del West gallops into a high school in Pacifica with as much grit and gumption as its titular frontierswoman.
John Yohalem reviews pianist Steven Blier‘s warm, witty, and worldly autobiography, From Ear to Ear.
There are several HDs that look interesting, but what I most looking forward to is the Manon with Nadine Sierra.
I’m looking forward to the Met’s new production of Puccini’s La fanciulla del West.
It is only a concert performance, but no one seems to have told them that; and thank the heavens for that!
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town!
An amateurish production of Le siège de Corinthe, combined with heavy-handed conducting, at Pesaro weakens the defenses of one of Rossini‘s most topical operas.
Pure dementia. Magda Olivero in the finale to Fedora.
Christopher Corwin remembers the late soprano Ileana Cotrubas — and shares some archival recordings of her in Bellini, Tchaikovsky, Leoncavallo, and Gounod.
Parterre Box invites you to cool off with a dip in the lake alongside Sonya Yoncheva and Pavel Černoch in Rusalka.
What is more demented than a thrilling performance of Strauss’s Elektra?
This Strauss is demented in the best way possible.
Julia Bullock on ten years of living with the life and artistry of Joséphine Baker before Paris performances of Perle Noire: Meditations for Joséphine
They should sell pay-per-view tickets to this like WWE.
Bayreuth’s AI-powered “Ring 100010110” marred a first-rate cast and orchestra with nightmarish visuals and horrid dramaturgy.
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