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Nicola Luisotti conducts Marina Rebeka, Elina Garanca, Yusif Eyvazov and Gabriele Viviani in a live broadcast from the Staatsopen Unter den Linden.
How appropriate that the Met should present this supposedly “Jewish” opera after many in the audience had just spent twelve days immersed in the genuine article over the High Holy Days.
On this day in 1966 baritone Walter Berry made his Metropolitan Opera debut as Barak
Happy 88th birthday Julie Andrews
Instead of following the story, we in the audience spend most of the evening thinking “What?? Why is that happening?”
Donizetti’s Les Martyrs in a broadcast from Vienna with Roberta Mantegna, John Osborn, and Mattia Olivieri
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On this day in 1791 Mozart’s Die Zauberflöte premiered in Vienna
One got a sense that the Met and the maestro directed most of the rehearsal and preparation toward the opening night premiere of the Heggie opus
On this day in 1965 soprano Mirella Freni and tenor Gianni Raimondi made their Metropolitan Opera debuts in La bohème.
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Bay Area composer Mason Bates’s and librettist Mark Campbell’s contemporary opera about the life of the tech mogul Steve Jobs came home “to the place where it all began” in spectacular fashion
On this day in 1968 tenor Placido Domingo made his Metropolitan Opera debut as Maurizio in Adriana Lecouvreur
From the Metropolitan Opera, Yannick Nézet-Séguin conducts Leah Hawkins, Karen Cargill, Matthew Polenzani, and Dmitry Belosselskiy in Verdi’s Requiem
Rather than focusing on a narrative, Unholy Wars explores a series of timeless yet current themes: war, destruction, alienation, and what it means to be perceived as outsider—particularly from the Middle East—in the context of a violent world.