In for the kill
Saioa Hernández makes a no-hold-barred house debut in The Metropolitan Opera’s prematurely dusty Tosca.
Saioa Hernández makes a no-hold-barred house debut in The Metropolitan Opera’s prematurely dusty Tosca.
The Metropolitan Opera has added a live, free video broadcast of Lincoln in the Bardo to its fall lineup on Saturday, 14 November at 8 PM EDT.
Now in its penultimate installation, Tobias Kratzer’s Munich Ring is reaching full maturity—without compromising its humor.
Consider this 1959 Italian-language blowout from Palermo, with Franco Corelli’s infiammatissimo Don José
This 1961 performance from the Bolshoi is a treasure.
Don Carlo not in French, nor in Italian, but in German.
San Francisco Opera’s revolution-set The Marriage of Figaro may not always strike the right balance, but it certainly speaks to the moment.
I always have professed a fondness, even an obsession, to hearing Verdi in German, especially as sung by Martha Modl.
One of the loveliest translations I’ve enjoyed was Mado Robin’s recording of La traviata.
Parterre Box pays tribute to late conductor Antonino Fogliani with a bit of Maria Stuarda ahead of the opera’s return to the Met next month.
Richard Strauss adapted Oscar Wilde’s original 1891 French libretto into a 1907 French revision of Salome, unfortunately not often performed.
Angel Blue is out of this season’s Desdemonas and Aïdas in New York — as well as every other operatic role this season.
Sonya Yoncheva tackles one of opera’s mothers from hell in the Metropolitan Opera’s revival of Medea.
In Juneau, the world premiere of the Tlingit-language opera Ḵutulagaaw: The Tlingit-Russian Battles raises new questions about cultural ownership while singing a song all its own.
Yes, you miss the champagne sparkle and lilt of the best French versions but look at what you gain by hearing these grizzly tales in ETA Hoffmann’s own language.
Richard Lynn provides a comprehensive introduction to the surprisingly wide and unsurprisingly wild world of opera podcasts.
San Diego Opera’s Rigoletto, starring a persuasive Michael Chioldi, veers traditional—without the mothballs in tow.
There are Bohèmes and Bohèmes, and it is almost a joke word these days, but the French show us how it is properly done.
This performance by Marilyn Horne has always stunned me and everyone I play it for.
Two Philadelphia institutions present delectable performances of sex and filth (of the best kind).
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