Mother courage
Maxim Kolomiiets‘s urgent The Mothers of Kherson premieres in Warsaw ahead of its Metropolitan Opera run.
Maxim Kolomiiets‘s urgent The Mothers of Kherson premieres in Warsaw ahead of its Metropolitan Opera run.
Marina Rebeka and Jonas Kaufmann are heading to New York for Tosca, so Parterre Box offers a sample of the two of them in a different Puccini opera.
At the Festival Verdi, the “mondi lontani” of Nabucco and Aida lead back to universal, Verdian virtues.
One of my favorite mezzo performances is Tatiana Troyanos in Cavalleria rusticana.
Heartbeat Opera’s Queeney Todd draws together New York’s queer theater multiverse in a stunning drag production that breathes new life into the opera and leaves the audience in stitches.
One of the greatest to ever do it.
Parma’s annual Festival Verdi traversed “distant worlds” of crusades, conquests, and colonial struggles, stopping first in Peru for the seldom-heard Alzira.
Rhiannon Giddens and Michael Abels’s Omar fascinates and frustrates in equal measure in Chicago.
Oralia Dominguez: deranged, demented, an absolute triumph.
Seokyoung looks at how five different versions of “Un bel dì” support and subvert the stakes of Cio-Cio-San’s famous wait for Perspectives on an Aria.
Remember, kids: if you sing with a “splatty” chest you’ll lose access to your top, which is why Agnes Baltsa had such a short international career.
One of the few truly great mezzos I’ve heard in the 21st century here at the Metropolitan.
Domingo Hindoyan makes an auspicious debut as LA Opera’s Music Director against a distractingly busy production of Carmen.
Every Baroque opera could be more feral, especially when cross-dressing is involved.
Elina Garanca has moved on from roles like Angelina in La Cenerentola, but this clip from 2001 shows why she became such a big star.
Cheers to Teresa Berganza, a Cenerentola for the ages.
Lincoln in the Bardo fills its inaugural Metropolitan Opera run with musical delights and vibes—but how far can those go?
I have chosen “Våren” (The Spring) which is one of my favorite Grieg songs and which is sung perfectly by Anne Sofie von Otter.
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