Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Baltimore Symphony Orchestra’s concert Rigoletto hits some vocal turbulence
Conductor Eun Sun Kim and soprano Elza van der Heever play to their strengths in a piercing revival of Elektra at San Francisco Opera.
The one who got away was Anna Caterina Antonacci, a thrilling performer.
Conductors, schlock, and 26-27, oh my! Make sure to weigh in on our next edition of The Talk of the Town.
In the case of Lina Bruna Rasa, the reasons why she never sang at the Met are painfully clear.
For vibrato fanciers, of course, discovering Supervia is like hitting the mother lode.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Yes, the Met had Birgit Nilsson – so they let the volcano that was Gertrude Grob-Prandl‘s voice slip through their fingers.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Matthew Travisano has such doubts about Douglas Cuomo‘s opera recently seen at Opera Parallèle.
A full century after her heyday, Argentine soprano Hina Spani still moves us thanks to her vivid recordings and the savants who have cherished and shared them.
The one who got away was Anna Caterina Antonacci, a thrilling performer.
In the case of Lina Bruna Rasa, the reasons why she never sang at the Met are painfully clear.
For vibrato fanciers, of course, discovering Supervia is like hitting the mother lode.
Yes, the Met had Birgit Nilsson – so they let the volcano that was Gertrude Grob-Prandl‘s voice slip through their fingers.
So much color in this beautifully agile voice.
Emma Hoffman reports on the glimmers of ecstatic artistry in Lise Davidsen‘s all-Schubert recital at Carnegie Hall with James Baillieu.
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
Elsa Dreisig, Jonas Kaufmann, and Malin Byström lead recent album releases.
I’m surprised that American soprano Maria Kanyova has never performed at the Met, even though she has loads of high-profile U.S. opera credits.
Christopher Corwin speaks to rising bass-baritone Le Bu about his journey from Yancheng, China to the Met (with a stop in Wichita) and what important roles await him.
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