How much of what we did was good?
Director Elkhanah Pulitzer reflects on the images and the legacy of that historic 1972 visit before her production of Nixon in China opens in Washington.
Director Elkhanah Pulitzer reflects on the images and the legacy of that historic 1972 visit before her production of Nixon in China opens in Washington.
At Boston Lyric Opera, a hardworking cast can’t make magic of André Previn’s disenchanting adaptation of A Streetcar Named Desire.
Washington National Opera kicked off its first season as a fully independent company with a thoughtful production of Giacomo Puccini’s Madama Butterfly.
I am interpreting “gained in translation” literally, and the wonderful The Bartered Bride with Vickers, Stratas, Gedda, and Talvela singing it in English was a great experience.
The music is so recitative-like and the text so important (like a play) that it needs the immediacy of a text that the audience can understand.
The opera singer population has a gender parity problem, and Ursula Sturgeon has a solution: blow up gender altogether.
San Francisco Opera music director Eun Sun Kim tantalizes with her readings of Strauss.
I’m not sure if Eleanor Steber‘s strongly founded marble tower is a lyrical improvement, but I just can’t imagine this being sung better. Can you?
Jeanine De Bique, appearing in recitals in Fort Worth and New York this fall, casts a spell in this week’s Grand Tier Grab Bag.
The Metropolitan Opera has added a live, free video broadcast of Lincoln in the Bardo to its fall lineup on Saturday, 14 November at 8 PM EST.
Saioa Hernández makes a no-hold-barred house debut in The Metropolitan Opera’s prematurely dusty Tosca.
Consider this 1959 Italian-language blowout from Palermo, with Franco Corelli’s infiammatissimo Don José
This 1961 performance from the Bolshoi is a treasure.
Now in its penultimate installation, Tobias Kratzer’s Munich Ring is reaching full maturity—without compromising its humor.
Don Carlo not in French, nor in Italian, but in German.
San Francisco Opera’s revolution-set The Marriage of Figaro may not always strike the right balance, but it certainly speaks to the moment.
I always have professed a fondness, even an obsession, to hearing Verdi in German, especially as sung by Martha Modl.
One of the loveliest translations I’ve enjoyed was Mado Robin’s recording of La traviata.
Parterre Box pays tribute to late conductor Antonino Fogliani with a bit of Maria Stuarda ahead of the opera’s return to the Met next month.
Richard Strauss adapted Oscar Wilde’s original 1891 French libretto into a 1907 French revision of Salome, unfortunately not often performed.
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