Così Island
The Metropolitan Opera gets its freak on — or about as close as it can — in a revival of its Coney Island-set production of Così fan tutte.
The Metropolitan Opera gets its freak on — or about as close as it can — in a revival of its Coney Island-set production of Così fan tutte.
Yannick Nézet-Séguin opens Philadelphia’s symphonic season in typically sunny style with programs feautring Beethoven, Brahms, and Bernstein.
Monteverdi’s L’Orfeo by Haymarket Opera and The Newberry Consort takes its audience to heaven while its title character goes to hell.
Last September I was most excited by Handel oratorios being performed during the 2025-26 season. This time I’m really looking forward to three of the composer’s operas arriving within a few weeks of each other in Spring 2027.
Isn’t it fun to see the Virgin Queen spew out some coloratura?
A new Macbeth summons the forces of hell — and the star power of Quinn Kelsey and Lise Davidsen — for a fiery start to the Met’s new season.
Eichenholz is much too rare on stage these days.
Tamara Wilson completes her first Ring Cycle as Brünnhilde next month, and Parterre Box celebrates with a clip of her in Siegfried.
Haley Whitney shines as the mother of us all in The Marigny Opera Ballet‘s stirring staging of Scarlatti’s Cain.
The mezzo international anthem is so oversung that we forget how hard it is to sing.
Opera San José opened its season with a new production of Don Giovanni that embraced the opera’s challenges with youthful abandon, even as it was sometimes felled by them.
Finally, finally, a change to see Massenet‘s Hérodiade, albeit in concert from, though I long for a day when the Met or the Lyric Opera of Chicago would give us a staged performance.
The Royal Opera House‘s Don Giovanni comes without an instruction manual — but features a fine lothario in Gordon Bintner.
With San Francisco Opera’s orchestra on strike and bass Andrew Potter retiring at 43, Miles Greenberg sees opera’s ethics and economics of impracticality at a breaking point
I guess it’s no secret here that I LOVE contemporary operas.
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