Here is who I am now
Julia Bullock on ten years of living with the life and artistry of Joséphine Baker before Paris performances of Perle Noire: Meditations for Joséphine
Julia Bullock on ten years of living with the life and artistry of Joséphine Baker before Paris performances of Perle Noire: Meditations for Joséphine
Bayreuth’s AI-powered “Ring 100010110” marred a first-rate cast and orchestra with nightmarish visuals and horrid dramaturgy.
Though, really, the young artists of the Merola Opera Program were more than alright in their annual showcase.
Pitch be damned.
One of my great moments at the Met.
For those with Odyssey fever, this week’s Grand Tier Grab Bag item features a performance of another ancient epic: Les Troyens with Russell Thomas.
Alexander Köpeczi, currently plying leading roles in two operas in Santa Fe and, rumor has it, the life of one prominent soprano, is the object of this week’s Grand Tier Grab Bag.
Rising stars Chelsea Lehnea and Ricardo José Rivera are the protagonists of this week’s Grand Tier Grab Bag.
It’s a busy summer for Vida Miknevičiūtė and Eric Cutler, the subjects of this week’s Grand Tier Grab Bag.
Elina Garanča’s aborted first Ariadne may have been the headline item at the Salzburg Festival next month, but this week Parterre Box features the Zerbinetta, Ziyi Dai.
One Italian soprano continues to save the day in bel canto roles at La Scala; this week Parterre Box features Marta Torbidoni.
To make a success of the Empress in Frau ohne Schatten, it is not enough to be a fine singer and a great actress.
For those with Odyssey fever, this week’s Grand Tier Grab Bag item features a performance of another ancient epic: Les Troyens with Russell Thomas.
Love it or hate it, you can’t deny it’s iconic!
In Bayreuth, a confident Magnus Vigilius and luminous Jennifer Holloway attempt to elevate Wagner’s populist Rienzi.
I’ve only heard one performance that could be described as ‘filth.’
They should sell pay-per-view tickets to this like WWE.
To make a success of the Empress in Frau ohne Schatten, it is not enough to be a fine singer and a great actress.
Love it or hate it, you can’t deny it’s iconic!
I’ve only heard one performance that could be described as ‘filth.’
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