Extravagant minimalism
Ahead of his new production of Die Frau ohne Schatten, Barrie Kosky chats with Kevin Ng in Aix about pretty much everything — except the details of his new Frau.
Beyond the valley of the gods
The Bayerische Staatsoper’s Ring cycle scores another triumph with Tobias Kratzer’s take on Die Walküre.
Ma queer immortelle
San Francisco Opera hosts an exuberant tribute to queerness past and present.
Ernest Ansermet was a great opera conductor
Although Ernest Ansermet is most often associated with orchestral music, his 1964 recording of Debussy’s Pelléas et Mélisande is still my favorite.
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Greek National Opera’s Medea in the ancient theater at Epidaurus is an intermittently rewarding exercise in nostalgia.
Historically, conductors were often viewed as rigid, authoritarian figures. Yannick Nézet-Séguin completely subverts this stereotype.
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Brett Dean‘s Of One Blood casts a well-trodden Tudor tale in a poignant, new light.
The artist who I feel should have made it to the Met is Patrizia Ciofi.
Giannina Arangi-Lombardi never sang at the Met.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Goodnight, Irene
Goodnight, Irene
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Grand Tier Grab Bag
Poetic license
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Grand Tier Grab Bag
Frau Miina-Liisa will es werde Nacht
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Grand Tier Grab Bag
Lux aeterna luceat eis
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag
Kathryn the great
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Grand Tier Grab Bag
Count your blessings
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Brundibár at the Opéra Comique combines whimsy with historicity to sobering effect.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
The premiere recording of David T. Little’s What Belongs to You reveals a work of both tenderness and artistic tenacity.
John Danaher pays an operatic tribute to the writings of James McCourt, an author who captured the spirit of opera as queer and dangerous like no other.
Talk of the Town
The Talk of the Town
Ernest Ansermet was a great opera conductor
Ernest Ansermet was a great opera conductor
Although Ernest Ansermet is most often associated with orchestral music, his 1964 recording of Debussy’s Pelléas et Mélisande is still my favorite.
Although Ernest Ansermet is most often associated with orchestral music, his 1964 recording of Debussy’s Pelléas et Mélisande is still my favorite.
The Talk of the Town
Yannick Nézet-Séguin is a great opera conductor
Yannick Nézet-Séguin is a great opera conductor
Historically, conductors were often viewed as rigid, authoritarian figures. Yannick Nézet-Séguin completely subverts this stereotype.
Historically, conductors were often viewed as rigid, authoritarian figures. Yannick Nézet-Séguin completely subverts this stereotype.
The Talk of the Town
Patrizia Ciofi should have made it to the Met
Patrizia Ciofi should have made it to the Met
The artist who I feel should have made it to the Met is Patrizia Ciofi.
The artist who I feel should have made it to the Met is Patrizia Ciofi.
The Talk of the Town
Giannina Arangi-Lombardi never made it to the Met
Giannina Arangi-Lombardi never made it to the Met
Giannina Arangi-Lombardi never sang at the Met.
Giannina Arangi-Lombardi never sang at the Met.
The Talk of the Town
Andrée Esposito and Alain Vanzo should have made it to the Met
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
The Talk of the Town
Ebe Stignani and Anita Cerquetti should have made it to the Met
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Yannick Nézet-Séguin, leading the Met Orchestra, and Joyce DiDonato continue their exploration of Mahler at Carnegie Hall.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Opera Theatre of Saint Louis does its best to give magic in its summer productions of Roméo et Juliette and A Streetcar Named Desired.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
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