Gabrielle Ferrari

Gabrielle Ferrari is a PhD student at Columbia University researching gender and sexuality in British music, twentieth-century opera, and classical music and popular culture. She has degrees in music and English literature from Southern Methodist University and her Masters in Historical Musicology from Columbia University. If she isn't watching opera, writing about an opera, or reading about an opera, she's probably singing opera. When she's feeling a little bit wild, she dabbles in oratorio and musical theater.

Varying the song Varying the song

The opera The Rake’s Progress, as many people know already, was inspired by a series of engravings and paintings of the same name by William Hogarth, showing the decline of a young man into depravity and insanity.

on May 31, 2022 at 2:19 PM
Reviving a pharaoh Reviving a pharaoh

The Met brought back 2019 smash Akhnaten last night, with nearly the exact same cast and creative team, and with nearly the same knockout effect of three years ago.

on May 20, 2022 at 1:26 PM
Strangeness of the body Strangeness of the body

On this past, rainy Thursday, the Orchestra of St. Luke’s delivered a really rather extraordinary performance of the St. Matthew Passion.  To me, this evening was a fascinating exploration of work.

on April 12, 2022 at 10:00 AM
Baby got backup Baby got backup

Michel van der Aa’s new opera UPLOAD at the Park Avenue Armory explores the various ethical issues surrounding AI while coming back to a set of classic philosophical questions about free will, pain and the nature of the soul.

on March 23, 2022 at 12:28 PM
From A to Z From A to Z

Has there ever been a more perfect opera to watch after a breakup than Ariadne auf Naxos?

on March 18, 2022 at 8:22 AM
Crazy business this Crazy business this

Despite a star-studded cast, last night’s Anyone Can Whistle at Carnegie Hall ultimately failed to take flight.

on March 11, 2022 at 5:32 PM
Turandot doesn’t exist Turandot doesn’t exist

It’s back to business as usual at the Met, for better and for worse.

on October 14, 2021 at 8:00 AM
The sonic clash never resolves itself The sonic clash never resolves itself

The cabaret at Saint Ann’s Warehouse delivered frothy fun and a dollop of pathos with Anthony Roth Costanzo and Justin Vivian Bond in Only an Octave Apart.

on September 29, 2021 at 2:26 PM
Playing with ‘Fire’ Playing with ‘Fire’

With composer Terence Blanchard and librettist Kasi Lemmons‘ incendiary Fire Shut Up in My Bones, the Met makes long overdue history and Will Liverman ascends to superstardom.

on September 28, 2021 at 1:01 PM
When a Met loves a woman When a Met loves a woman

The Met recently submitted another eye-roll inducing entry for the Woke Olympics with their Women’s History Month slate.

on March 22, 2021 at 11:20 AM
Don’t you forget about me Don’t you forget about me

HERE’s new radio opera marks itself out by leaning into the dramatic affordances of the audio-only format in No One is Forgotten, an adaptation of a play by Winter Miller with new music by Paola Prestini and Sxip Shirey.

on March 08, 2021 at 3:00 PM
The ties that bind The ties that bind

Like everyone reading this, I imagine, I’ve missed going to see and hear something in person more than I thought possible.

on January 14, 2021 at 12:00 PM
Champagne o’clock Champagne o’clock

Happy New Year, dear readers, from me, Callum, and Christine Goerke’s headband-tiara!

on January 05, 2021 at 12:01 PM
Hear those magic reindeer click Hear those magic reindeer click

Jonas Kaufmann would like you know it’s Christmas. Well, not unlike a broken clock, he is right, at least for one day a year.

on December 25, 2020 at 2:19 PM
No Grinches allowed No Grinches allowed

Grab a fuzzy robe, a hot toddy, and a Wales guidebook, then sink blissfully into your couch for Bryn Terfel’s Christmas concert for the Met’s Live in Concert Series.

on December 14, 2020 at 9:45 AM
A couple of misfits A couple of misfits

Diana Damrau and Joseph Calleja presented an uneven program in a lavish setting this weekend in the most recent entry in the Met’s concert series.

on October 26, 2020 at 11:06 PM
Dish honored Dish honored

Lise Davidsen turned in a fine performance Saturday, cementing her up-and-coming star status in an eclectic program given from the Oscarshall Palace in Oslo.

on August 31, 2020 at 9:56 AM
Quantum leap Quantum leap

By a margin of more than two to one, the cher public has chosen “O Scarpia, avanti a Dio!” as the greatest of all opera curtain lines.

on June 06, 2020 at 2:48 PM
The last word: final round The last word: final round

It’s come down to this: the two finalists in the Best Opera Curtain Line competition.

on June 05, 2020 at 1:20 PM
The last word: semifinals The last word: semifinals

We move now to the semi-finals of the Best Opera Curtain Line competition.

on June 04, 2020 at 12:28 PM
The last word The last word

And now, with your cooperation, cher public, we are about to decide which is the best opera curtain line of all opera curtain lines.

on June 03, 2020 at 12:05 PM
Best Curtain Line Best Curtain Line

With thanks to commenter Krunoslav for the suggestion, we will kick off our new game with the theme “Best Curtain Line.”

on May 25, 2020 at 12:24 PM
parterre boxing parterre boxing

A new series where we pit Zerbinetta against Zerlina, Caballé against Callas, Berg against Bellini in the ultimate operatic showdown.

on May 19, 2020 at 3:16 PM
‘Lady’ Willpower ‘Lady’ Willpower

Lady M, an Online Fantasia on Verdi’s Macbeth, Heartbeat Opera’s creative and thought-provoking foray into the Zoom opera scene, left me feeling alternately pensive, hopeful and somewhat uneasy, in a good way.

on May 12, 2020 at 3:30 PM
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