The Talk of the Town

This summer I’m reading <em>Galina: A Russian Story</em> This summer I’m reading <em>Galina: A Russian Story</em>

Vishnevskaya writes rather as she sings.

This summer I’m reading <em>Fellow Travelers</em> This summer I’m reading <em>Fellow Travelers</em>

With tenth anniversary productions of Fellow Travelers, the heart wrenching gay romance opera by composer Gregory Spears and librettist Greg Pierce, due to grace several major U.S. companies next season, what better way to commemorate Pride Month than by reading Thomas Mallon’s 2007 historical novel on which it’s based?

This summer I’m reading <em>The Operas of Verdi</em> This summer I’m reading <em>The Operas of Verdi</em>

Julian Budden‘s masterful, three-volume analysis of the entire Verdi oeuvre is fascinating reading.

This summer I’m reading <em>Divas and Scholars</em> This summer I’m reading <em>Divas and Scholars</em>

Although presented as an overview of the performance of Italian opera from the first half of the 19th century, Divas and Scholars is really an impassioned defense of musicology as a discipline and of Italian opera as a subject worthy of scholarly attention.

This summer I’m reading <em>Bach: Music in the Castle of Heaven</em> This summer I’m reading <em>Bach: Music in the Castle of Heaven</em>

If you love the astonishing vocal works of J. S. Bach, John Eliott Gardiner’s 2013 book is a deeply rewarding read.

This summer I’m reading <em>Eleanor Steber: An Autobiography</em> This summer I’m reading <em>Eleanor Steber: An Autobiography</em>

A fascinating autobiography that delivers both on the diva anecdotes and on intelligent artistic observations about the singer’s life.

This summer I’m reading <em>The Operetta Empire: Music Theater in Early 20th C. Vienna</em> This summer I’m reading <em>The Operetta Empire: Music Theater in Early 20th C. Vienna</em>

Fascinating account of the role of musical theater in an uneasy context of art emerging from the conflict and resolutions of high culture and popular sentimentality in an era where elites were challenged by political instability.

This summer I’m reading <em>Scènes de la vie de Bohème</em> This summer I’m reading <em>Scènes de la vie de Bohème</em>

Man, I tried so hard to get this commissioned as a radio drama, because I want everyone to know what a ride this book is.

This summer I’m reading <em>How Sondheim Can Change Your Life</em> This summer I’m reading <em>How Sondheim Can Change Your Life</em>

Not about opera per se, Sweeney Todd notwithstanding, but I’m looking forward to reading the poignant and touching ode to Sondheim’s oeuvre by Richard Schoch.

This summer I’m reading <em>The Uncle from Rome</em> This summer I’m reading <em>The Uncle from Rome</em>

Joseph Caldwell produced this charming tale from a year spent in Italy on the Rome Prize from the American Academy of Arts and Letters.

This summer I’m reading poetry by Muriel Rukeyser This summer I’m reading poetry by Muriel Rukeyser

I think most of us have come around to recognizing John Adams‘s Doctor Atomic the masterpiece that it is.

This summer I’m reading <em>Dom Carlos</em> This summer I’m reading <em>Dom Carlos</em>

A bleak and somber version of the familiar story by Saint-Réal, mixing facts with fiction, making it even more tragical than the Verdi opera.

This summer I’m reading <em>The White Hotel</em> This summer I’m reading <em>The White Hotel</em>

Because D.M. Thomas‘s book was a famous book back in its day — I read it in the mid-eighties, yet have forgotten 90% of what it’s all about.

This summer I’m reading <em>Fifty Five Years in Five Acts</em> This summer I’m reading <em>Fifty Five Years in Five Acts</em>

Astrid Varnay‘s autobiography. Entertaining, cogent. Shows wit and character. Much more than “I sang, I got applause, and everyone loved me.”

Armerjacquino says you <em>must</em> watch <em>The White Lotus</em> Armerjacquino says you <em>must</em> watch <em>The White Lotus</em>

I’m bending the rules a little here, and not only substituting TV for film, but turning the category on its head by doing Movies At The Opera rather than the other way round.

Montagu James says you <em>must</em> watch <em>Apocalypse Now</em> Montagu James says you <em>must</em> watch <em>Apocalypse Now</em>

Francis Ford Coppola‘s Apocalypse Now (1979) uses Richard Wagner‘s “Ride of the Valkyries” to terrifying effect, depicting the brutality and horror of impersonal aerial warfare in the Vietnam War.

Leyla Gender-Bender says you <em>must</em> watch <em>Godfather III</em> Leyla Gender-Bender says you <em>must</em> watch <em>Godfather III</em>

While Godfather III is definitely the weakest movie in the eponymous trilogy, partly due to a miscasting of Mary Corleone, I have nothing but praise for the wonderful, almost inspirational use of Cavalleria Rusticana in the finale of the movie.

Carmen Paddock says you <em>must</em> watch <em>The Talented Mr. Ripley</em> Carmen Paddock says you <em>must</em> watch <em>The Talented Mr. Ripley</em>

The Talented Mr. Ripley x Eugene Onegin.

John Yohalem says you <em>must</em> watch <em>Something for Everyone</em> John Yohalem says you <em>must</em> watch <em>Something for Everyone</em>

Wagner is used as incidental music or background to probably more films than any other operatic composer.

James Grant says you <em>must</em> watch <em>Someone to Watch Over Me</em> James Grant says you <em>must</em> watch <em>Someone to Watch Over Me</em>

Some of you may remember the 1987 thriller Someone to Watch Over Me.

Mr. Portafiori says you <em>must</em> watch <em>Interrupted Melody</em> Mr. Portafiori says you <em>must</em> watch <em>Interrupted Melody</em>

Interrupted Melody was the wonderful biographical film about the singer Marjorie Lawrence. I thought it was a wonderful blending of opera with a 1950s Movie.

Scott Grunow says you <em>must</em> watch <em>Humoresque</em> Scott Grunow says you <em>must</em> watch <em>Humoresque</em>

Tristan transcriptions for violin, piano, and orchestra.

Niel Rishoi says you <em>must</em> watch <em>Maytime</em> Niel Rishoi says you <em>must</em> watch <em>Maytime</em>

Jeanette MacDonald singing in her movies got the ball rolling for my lifelong interest in opera.

Dawn Fatale says you <em>must</em> watch <em>Romance</em> Dawn Fatale says you <em>must</em> watch <em>Romance</em>

Greta Garbo as diva Rita Cavallini with an Italo-Swedish accent.