John Danaher
My favorite Verdi performance is the iconic 1960 RCA recording of Otello with Jon Vickers in the title role and the Rome Opera Orchestra and Chorus under the baton of the masterly Tullio Serafin.
John Danaher on the world-premiere recording of Clémence de Grandval‘s wild and worthy Mazeppa, the latest release from the operatic archaeologists at Palazzetto Bru Zane.
Strong performances at Opera Naples can’t overcome the cringey nostalgia of Derrick Wang‘s Scalia/Ginsburg.
Hoping for a “Tristan for the ages” in New York next month, John Danaher considers five versions of Tristan’s Act III “Muss ich dich so verstehn” for “Perspectives on an Aria.”
Gulfshore Opera’s vigorous production of Carmen answers a familiar question.
In Jacopo Peri’s seminal Euridice, the Newberry Consort and Haymarket Opera made a compelling case for putting you in the room where it happened.
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.