Kevin Fullerton
Tenor Matthew Polenzani and pianist Julius Drake’s performance left this listener in a a state of euphoria.
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There are, on rare occasions, moments in a live performance where some intangible symbiotic relationship between audience and performer creates an instant that borders on the sublime.
Sunday’s sold out Carnegie Hall recital became a veritable love-fest between the Peruvian tenor and those assembled in the Hall.
Isn’t it nice to know a lot? And a little bit not.
I attended the Sunday, May 13, performance with bittersweet anticipation.
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Last evening’s scorching performance of Fallujah by the New York City Opera demonstrated that sometimes impact is not limited by physical proximity.
Miss Battle was greeted with a thunderous ovation befitting a beloved singer at the end of an illustrious career.
I was hopeful that my next operatic engagement would offer greater rewards: Norma at the Edinburgh Festival.
