Cher Public

Kevin Fullerton

Senza nube e senza vel

As I gloried in Mariella Devia’s triumphant 2014 Opera Orchestra of New York’s concert performance of Roberto Devereux at Carnegie Hall, I assumed it would be my last opportunity to hear the soprano live. I had contented myself knowing that the spectacular High D natural that capped her “Quel sangue versato” would be a fitting coda to my history with the singer.  Read more »

Misty salvation

Ah, finalmente! Thrice I have been denied access to Rome’s beautiful Teatro dell’Opera di Roma–thanks to two strikes and one unexpected venue change. Lots of coins into the Trevi Fountain, return trips to Rome, and then last Saturday, a fourth attempt at Teatro dell’Opera—and finally satisfying success! Read more »

To weep and remember

fallujahIn military jargon “collateral damage” describes incidental death, maiming, or damage inflicted on an unintended target during a legitimate military attack. But last evening’s scorching performance of Fallujah by the New York City Opera demonstrated that sometimes the impact is not limited by physical proximity.  Read more »


Miss Battle was greeted with a thunderous ovation befitting a beloved singer at the end of an illustrious career.

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Pièce de résistance

I was hopeful that my next operatic engagement would offer greater rewards: Norma at the Edinburgh Festival.

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