Michael Anthonio
Michael Anthonio's love affairs with classical music and opera started in primary school, when his parents bought him an organ and he began taking lessons. During high school and college, he gave private organ lessons to some of his parents' friends' kids (for pocket money) and he was church organist and later, choir conductor. In 1999 he moved to Singapore where he got involved with the classical music online website "flying inkpot." His interest in opera became an obsession when he was transferred for work to US in 2008. In addition to enjoying world-class opera in SF, he indulges in opera tours in Europe. His favorite opera composer is Handel; at this point, Michael seen 24 of his operas , with hopefully three more coming next year.
Over the weekend, Opera Parallèle, San Francisco’s contemporary opera company, stayed true to their mission of “merging tradition and innovation to re-invent opera for a modern world” as they presented a world premiere double-bill cheekily titled Birds & Balls at SFJazz Center’s Miner Auditorium.
“What I am trying to achieve is to be what I am to the fullest. Black to the fullest, a musician to the fullest, a homosexual to the fullest.”
A perfect escape for a city laden with recent layoffs and job cuts coming into Holiday season
“What would you do if the world you knew was suddenly gone and you were thrown into the deepest abyss stripped of all humanity? Would you fight to remember who you were?”
All in all, this was truly a superb achievement for San Francisco Opera and an auspicious first chapter in the Wagner opera journey with Eun Sun Kim.
Bay Area composer Mason Bates’s and librettist Mark Campbell’s contemporary opera about the life of the tech mogul Steve Jobs came home “to the place where it all began” in spectacular fashion
Power struggles, prejudice, feuds and revenge abound in San Francisco at the moment.
The fourth production of Santa Fe Opera’s 66th Festival Season that opened on Saturday June 22 offered a multitude of firsts.
June is long gone. It was truly a month of excellence and exuberance here in San Francisco, coupled with cozy and inviting weather, as if to make up for the extended winter.
The ailing and grief-stricken Pinkerton was shown to give his son a diary about his time in Nagasaki, and as Trouble read it, he (and the audience) was taken back in time as the story came to life, similar to the use of Pensieve in Harry Potter and the Goblet of Fire (Book 4).
Despite the ever-increasing media coverage of San Francisco’s “doom loop,” June 2023 will be forever remembered as the time where San Francisco was the opera capital of the United States.
On June 16, San Francisco Opera concluded their excellent Centennial Season with a heartfelt 100th Anniversary Concert, featuring a starry cast, three conductors (including current and former Music Directors) and the SF Opera Orchestra and Chorus.
“I joyfully await the exit—and I hope never to return” were the last words written by the visionary Mexican painter, Magdalena Carmen Frida Kahlo y Calderón (famously known simply as Frida Kahlo), according to her 2002 biography by Hayden Herrera.
Richard Strauss’ monumental (arguably his magnum opus) Die Frau ohne Schatten made a triumphant return to the War Memorial Opera House last Sunday June 4 after 34 years.
On Friday, MCal Performances—the performing arts organization based at University of California, Berkeley—presented the US premiere of South African multi-disciplinary artist William Kentridge’s Sybil, with music composed and conceived by Nhlanhla Mahlangu and Kyle Shepherd.
Now the opera world can have a taste of what an immersive opera looks like, as Opera Parallèle opened their spectacular world premiere of Everest: An Immersive Experience .
Alma Deutscher’s quest for beautiful music permeates the score of her Cinderella from the hushed opening of the Overture.
There are no words superlative enough to describe this celebration of Orpheus’ grief, and I truly applaud San Francisco Opera for presenting such food for thought that will definitely resonate long after with me.
San Francisco Opera has unveiled a brand-new production of Giuseppe Verdi’s warhorse classic La traviata, the first “to be built in San Francisco Opera’s scene and costume shops in 35 years.”
“The function of prayer is not to influence God, but rather to change the nature of the one who prays” – Soren Kierkegaard
Robert Carsen‘s legendary production of Eugene Onegin finally arrives in San Francisco.
For the season opener, Opera San José decided to explore the class conflict central to Le nozze di Figaro by transporting the opera to India, specifically during the British Raj.
The concert itself—starring Michael Fabiano, Nadine Sierra, Pene Pati and Lucas Meachem—seemed to be a beautiful affair that I would have loved to see it in a person.
