queer
parterre‘s very own Max Keller opens up in The New York Times (!) about how starting T has affected their voice
Jamie Barton graces the Last Night at the Proms starting at 2:00 PM EDT.
Our Own Jamie Barton graces the Last Night of the Proms with her “queer fat femme energy.”
“Turandot is visibly stirred by Liù’s self-sacrifice and she caresses her dead body. Just after Calaf kisses her, she takes her headdress off and comes out as a gay woman.”
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parterre box, “the most essential blog in opera” (New York Times), is now booking display and sponsored content advertising for the 2023-2024 season. Join Carnegie Hall, Lincoln Center, Warner Classics and many others in reaching your target audience through parterre box.
Stonewall threads some difficult needles with great success overall in this last installment of New York City Opera’s Pride Month Programming.
David Lang’s Prisoner of the State, which was premiered on Thursday night by the New York Philharmonic, places the issue of mass incarceration front and center, foregrounding the violence of the prison system, both physical and psychological.
Daniel Thomas Davis’ The Impossible She, was a towering musical achievement, a hugely complex work packing a whopping political and intellectual punch.
We are the elusive, the mysterious, the ever-courted Millennial Audience, Mr. Darcy to the marketing department’s Mrs. Bennet.
One needs liberty in order to be a libertine.
Broadcasts
- Friday, October 27 at 7:55PM: Un Ballo in Maschera
- Wednesday, November 01 at 7:25PM: La Bohème
- Friday, November 03 at 6:55PM: X: The Life and Times of Malcolm X
- Wednesday, November 08 at 7:25PM: Un Ballo in Maschera
- Friday, November 10 at 7:25PM: La Bohème
- Tuesday, November 14 at 7:25PM: X: The Life and Times of Malcolm X
- Thursday, November 16 at 7:55PM: Florencia en el Amazonas
- Tuesday, November 21 at 7:25PM: La Bohème
- Friday, November 24 at 7:55PM: X: The Life and Times of Malcolm X
- Monday, November 27 at 7:55PM: Florencia en el Amazonas
- Thursday, November 30 at 6:55PM: Tannhäuser
- Friday, December 08 at 6:55PM: The Magic Flute—Holiday Presentation
- Saturday, December 09 at 12:55PM: Florencia en el Amazonas
- Tuesday, December 12 at 6:55PM: Tannhäuser
- Saturday, December 16 at 11:55AM: The Magic Flute—Holiday Presentation
- Thursday, December 21 at 7:25PM: The Magic Flute—Holiday Presentation
- Saturday, December 23 at 12:55PM: Tannhäuser
- Friday, December 29 at 6:55PM: Nabucco
- Wednesday, January 03 at 7:25PM: Carmen
- Saturday, January 06 at 12:55PM: Nabucco
- Thursday, January 11 at 6:55PM: Madama Butterfly
- Saturday, January 13 at 12:25PM: La Bohème
- Tuesday, January 16 at 7:25PM: Carmen
- Wednesday, January 24 at 7:55PM: Madama Butterfly
- Saturday, January 27 at 12:55PM: Carmen
- Saturday, March 2 at 1:30 PM: Ernani
- Thursday, March 7 at 7 PM: Roméo et Juliette
- Saturday, March 9 at 12 PM: La forza del destino
- Thursday, March 14 at 7:30 PM: Madama Butterfly
- Saturday, March 16 at 12 PM: Turandot
- Sunday, March 17 at 3:00 PM: Laffont Competition Finals
- Saturday, March 23 at 1:30 PM: Roméo et Juliette
- Tuesday, March 26 at 7:00PM: La rondine
- Saturday, March 30 at 1:30 PM: Verdi: Requiem
- Tuesday, April 2 at 7:30 PM: La rondine
- Saturday, April 6 at 1:30 PM: L’Elisir d’amore
- Monday, April 8 at 7:00 PM: Fire Shut Up in my Bones
- Saturday, April 13 at 1:30 PM: Die Fledermaus
- Friday, April 19 at 7:30 PM: Turandot
- Saturday, April 20 at 1:30 PM: La rondine
- Tuesday, April 23 at 8:00 PM: El Niño
- Saturday, April 27 at 1:30 PM: Fire Shut Up in my Bones
- Tuesday, April 30 at 7:30 PM: Madama Butterfly
- Saturday, May 4 at 1:30 PM: El Niño
- Friday, May 10 at 7:30 PM: The Hours
- Saturday, May 11 at 1:30 PM: Madama Butterfly
- Thursday, May 16 at 7:30 PM: Orfeo ed Euridice
- Saturday, May 18 at 1:30 PM: The Hours
- Wednesday, May 22 at 7:00 PM: Carmen
- Saturday, May 25 at 1:30 PM: La fanciulla del west
- Tuesday, May 28 at 7:00 PM: The Hours
- Saturday, June 1 at 1:30 PM: Cinderella
- Tuesday, June 4 at 7:30 PM: Turandot
- Saturday, June 8 at 1:30 PM: Orfeo ed Euridice
UrbanArias’ recording of Paul’s Case is an antidote to the intellectual pretensions that regularly drag contemporary opera performance toward tediousness and boredom.
Now, you would think nothing could please gaycentric La Cieca more than yesterday’s New York Times profile of the Met’s new music director…
The most exquisitely queer “parterre box” headline of all time has been written.
It’s surprising to read that, as of this writing, La fanciulla del west has only had 105 performances at the Metropolitan Opera.
On Thursday, Puccini’s seventh opera, the California Gold Rush romance La fanciulla del West, returns to its birthplace for its first Met performances since 2011.
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