Cher Public

La Cieca

James Jorden (who writes under the names “La Cieca” and “Our Own JJ”) is the founder and editor of parterre box. During his 20 year career as an opera critic he has written for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He has also raised his voice in punditry on National Public Radio. From time to time he has directed opera, including three unsuccessful productions of Don Giovanni, a work he hopes to return to someday. Currently he alternates his doyenne duties with writing a twice-weekly column on opera for the New York Observer. He also hosts the more or less weekly livecast “parterre saturday afternoon.”



Broadcast: Rigoletto

The chat is late, but it’s here! (Photo: Marty Sohl / Met Opera)

Born to lose

So, another way Anthony Tommasini might have put this is, “Robert Lepage‘s direction of a crucial scene in the Ring is even worse than Otto Schenk‘s, if such a thing is possible.”

Once we thought he’d never grow tall as this fence

Our Own Joel Rozen is no longer Our Own, except of course in the most important sense that we will always adore him. The erstwhile parterre box scribe is now writing for the enemy The Metropolitan Opera.  Read more »

Die, die my darlings

The year 2020 marks the first staged performances of Turandot on Anna Netrebko‘s schedule. She introduces her complete interpretation at the Bayerische Staatsoper January 28 and 31 and February 3. 

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Broadcast: Falstaff

A sunny opera for an overcast afternoon: the Met’s broadcast of Falstaff begins at 1:00 PM.

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Broadcast: Das Rheingold

The Entry of the Cher Public into Valhalla begins at 7:55 PM.

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Hair apparent

Gregory Kunde will sing Samson in the March 16, 19, and 23 performances of Saint-Saëns’s Samson et Dalila, replacing Aleksandrs Antonenko, who is ill.

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Sonya Yoncheva plays Mad Libs

[via Twitter]

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