Cher Public

Callum John Blackmore

Everybody dance now

It is not often the most memorable part of a production is the act-three ballet. Yet, in Darko Tresnjak’s production of Samson et Dalila (which opened at the Met last fall), Austin McCormack’s lascivious choreography outshone a tepid and tedious staging of Saint-Saëns’s old-testament epic.  Read more »


On paper, the prospect of hearing Kindertotenlieder in a crypt is a macabre one: Rückert’s poems alone are a harrowing read, a cry of anguish over the premature deaths of the poet’s two children, and Mahler matches the torment of the text with some of his most gut-wrenching, and indeed, most beautiful music.  Read more »

Follow her lead

New Yorkers will be very familiar with the voice of Barbara HanniganRead more »


While 4.48 Psychosis is an intricately-crafted, deeply moving portrait of human agony, Pancho Villa from a Safe Distance lacks the creative clout to realize its artistic ambitions.

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