Max Keller
(Saskia) Max(well) Keller writes about classical music and queerness. Their work has appeared in Out, Out Traveler, the Provincetown Independent, Provincetown Arts, and Early Music America. Currently New York City-based, they write the substack Poison Put to Sound.
The opera took place on an actual boat: the Lightship Ambrose in the South Street Seaport.
By Max Keller
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“A Concert for Sugihara”—presented at Carnegie Hall by New York City Opera and The American Society for Yad Vashem on Wednesday, April 19—marked 80 years since the Warsaw Ghetto Uprising.
By Max Keller
It’s debated whether Lili Boulanger’s Faust et Hélène, clocking in at only about 30 minutes, can be considered a cantata, a one-act opera, or a “lyric episode.”
By Max Keller
There’s nothing unusual about casting a woman in Solomon‘s titular role.
By Max Keller
The program for Jasmine Rice LaBeija’s concert as part of Works & Process at the Guggenheim on Wednesday, March 8 read a bit like a curriculum vitae.
By Max Keller
Ghost sex is part of the popular zeitgeist.
By Max Keller
