Though, really, the young artists of the Merola Opera Program were more than alright in their annual showcase.
San Francisco goes baroque with performances of Handel‘s Alcina, Tolomeo, and Rinaldo.
Shakespeare Opera Theatre presented two American operas exploring themes of hypocrisy and deception — in a church!
Dmitri Tcherniakov‘s production of Der Freischütz in Munich may fire a few blanks, but the musicians are all on target.
Just in time for this month’s theme of filth or dementia, a review of Terrence McNally‘s Master Class from Central City Opera.
Jake Heggie and Gene Scheer‘s bubbly The Judgement of Paris brings a distinctly Californian terroir to operatic comedy.
A grandly sung revival of The Ballad of Baby Doe at Central City Opera mines poignance from America’s past and present.
San Francisco Opera hosts an exuberant tribute to queerness past and present.
Video Artists International brings us back to a time when opera was carried over the airwaves by great voices—and a tire company.
The one who got away was Anna Caterina Antonacci, a thrilling performer.
Conductor Eun Sun Kim and soprano Elza van der Heever play to their strengths in a piercing revival of Elektra at San Francisco Opera.
Matthew Travisano has such doubts about Douglas Cuomo‘s opera recently seen at Opera Parallèle.
Maria Kataeva makes a promising US debut in an otherwise uneven revival of Il Barbiere di Siviglia in San Francisco.
The air held a real charge that night in SF’s War Memorial Opera House.
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
Madama Butterfly at Opera Colorado plays it safe — and never fully takes flight.
Opera San José‘s La Traviata has all the buzz and energy of a world premiere.
A strong revival of Falstaff at the Los Angeles Opera proves a fitting farewell vehicle for Music Director James Conlon.
Ten years since the death of countertenor Brian Asawa, Charles Stanton remembers his friend and corrects the record on his untimely passing.
An invigorating double bill at the San Francisco Symphony challenges how Bach “should” be performed.
Madama Butterfly confronts anime, virtual reality, and weeaboos in Matthew Ozawa‘s bold production at the Lyric Opera of Chicago.
Brendan Latimer hitches a ride with members of the “site-responsive opera” movement who are taking their shows out of the opera house — and out of the box.
El último sueño de Frida y Diego at the Lyric Opera of Chicago is a visual and sonic wonder, but a weak libretto dampens its effect.
A sublime Reginald Mobley and the Philharmonia Baroque Orchestra are a balm for troubled times in a program of baroque selections and spirituals.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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