The open wound that will never heal The open wound that will never heal

In his new production that opens at San Francisco Opera this weekend, Matthew Ozawa is creating a Parsifal for the cancel culture age.

It all began tonight It all began tonight

West Side Story opened LA Opera’s 40th anniversary season with fury and flair

Act of contrition Act of contrition

The 25th anniversary revival of Dead Man Walking at San Francisco Opera is most moving in its quietest moments

All about her father All about her father

Adela Zaharia and Amartuvshin Enkhbat shine brightly in San Francisco Opera’s opening night Rigoletto.

Operation desert storm Operation desert storm

The Santa Fe Opera’s fine first Die Walküre finds Wagner in America at a crossroads.

Rigoletto Rigoletto

Quinn Kelsey, René Barbera, and Lisette Oropesa star in a performance recorded in Los Angeles this spring.

¡Sí, se puede! ¡Sí, se puede!

The world premiere of Dolores and Charpentier‘s David and Jonathan bring the heat to West Edge Opera’s 2025 Festival.

Cask in the glory Cask in the glory

A North American debut of a respectable French Baroque ensemble, an ebullient presentation of La fille du régiment, and an afternoon soiree in Wine Country proved to be the hottest (yet affordable!) tickets around here this Summer.

Change my mind about <em>The Last Savage</em> Change my mind about <em>The Last Savage</em>

Despite having endured premiers at the Santa Fe Opera, including Cold Mountain, Oscar, and The (R)evolution of Steve Jobs, all of which were disappointing on every level, Santa Fe Opera’s 2011 production of Menotti‘s The Last Savage is an opera I never care to see or listen to again.

Sing out strong Sing out strong

Pride weekend events at San Francisco Opera and Festival Opera are fabulous starts to the Bay Area summer

Pride before the fall Pride before the fall

Opera Parallèle’s Harvey Milk Reimagined offers a fragmented portrait lacking the depth or coherence needed to honor Milk’s legacy

Sea no evil Sea no evil

A muted production challenges a talented cast in San Francisco Opera’s Idomeneo

Faust or famine Faust or famine

In a satanic panic, this week Chris’s Cache presents trio of performances of Mefistofele

The sweet escape? The sweet escape?

A plodding La bohème in San Francisco never quite takes off

San Francisco Opera’s Pride Concert promises a dose of cultural X Change San Francisco Opera’s Pride Concert promises a dose of cultural X Change

If you thought that opera was the final bastion against technicolor illumination and drag, first of all Why? Second of all San Francisco Opera begs to differ, and they’re sending in the heavy artillery for Pride Weekend on June 27th. Yes, the War Memorial Opera House will be aglow. Tal Rosner’s projections and Justin A.…

Venetian blinding Venetian blinding

West Bay Opera’s Otello punches well above its weight

Bye bye baby Bye bye baby

Following last week’s performances in Cleveland, Ronnie Banerjee compares six different versions of the Kostelnicka’s monologue from Leos Janácek’s Jenufa for “Perspectives on an Aria”

Milk of human kindness Milk of human kindness

Opera Parallèle is revisiting Stewart Wallace and Michael Korie’s Harvey Milk during Pride Month. It’s “not a reaction,” but it couldn’t be more timely.

Now you Caesar, now you don’t Now you Caesar, now you don’t

Before stopping at Carnegie Hall this weekend, The English Concert returned to the Bay Area last week with a fiery performance of Giulio Cesare

A masked ball A masked ball

Opera San José (OSJ) concluded its eclectic 41st Season with another first, Héctor Armienta’s Zorro, which received its Northern California premiere at the California Theatre on Friday, April 19th.

Loving him isn’t the right thing to do Loving him isn’t the right thing to do

Matthew Travisano takes on Mimì’s Act III aria from La bohème — not that one, the other one — in the latest installment of the “Perspectives on an Aria” series

Blue Saturday Blue Saturday

A grand concert from Angel Blue has Patrick Mack wondering, “where’s her crossover album?”

Yes and no Yes and no

William Kentridge‘s eclectic The Great Yes, The Great No arrives at Cal Performances.

<em>The Women</em> are like that <em>The Women</em> are like that

A stylish and funny Così fan tutte at LA Opera is a pretty glam affair, according to Patrick Mack.