One Moore night
While the Met reruns over-familiar HDs, Trove Thursday offers a Puccini rarity: Edgar, the composer’s second opera, starring Latonia Moore and Marcello Giordani.
While the Met reruns over-familiar HDs, Trove Thursday offers a Puccini rarity: Edgar, the composer’s second opera, starring Latonia Moore and Marcello Giordani.
Produced at Carnegie Hall by Matthew Epstein in 1983 with June Anderson, Marilyn Horne, Samuel Ramey and Douglas Ahlstedt with Henry Lewis conducting.
Over the course of 700 pages, Alex Ross exhaustively—and sometimes exhaustingly—examines an impact that began in the Wagner’s own lifetime and continues unbroken today, with references cropping up in contemporary works as different as The Matrix and Curb Your Enthusiasm.
Fueled by a fierce intelligence, deep earnestness, exceptional eloquence, and social media savvy, Joyce DiDonato is a presence and a power, as much when speaking and thinking as when singing. Who better to imagine a program that would suit this (we hope) unique moment?
It was hard for me not to get choked up, watching two of AVA’s most promising young graduates having to make this opportunity for themselves, and doing it with such palpable good humor.
In tribute to soprano Christiane Eda-Pierre, who died September 5.
Starring Marlis Petersen, Susan Graham, Daniel Brenna, Paul Groves, Johan Reuter and Franz Grundheber, conducted by Lothar Koenigs. From November 21, 2015.
As Phaedra’s tragic, all-consuming passion for her stepson Hippolytus has fascinated artists for centuries, Trove Thursday offers two of its lesser-known musical settings: Pizzetti’s opera Fedra with Régine Crespin and Lorraine Hunt Lieberson performing the cantata Phaedra, Britten’s final vocal work.
Lise Davidsen turned in a fine performance Saturday, cementing her up-and-coming star status in an eclectic program given from the Oscarshall Palace in Oslo.
Few operas scream “summertime easy listening” like Pfitzner’s Palestrina—all 225 minutes of it—so Trove Thursday presents a performance from the Royal Opera’s 1997 New York visit conducted by Christian Thielemann.
Verdi’s Giovanna d’Arco in a rare NYC concert performance with Margaret Price, Carlo Bergonzi and Sherrill Milnes.
On Sunday afternoon, husband-and-wife duo Roberto Alagna and Aleksandra Kurzak presented a charming program of operatic favorites from the patio of the Château de la Chèvre d’Or in Èze, France.
Trove Thursday presents Alzira—derided by some as Verdi’s worst opera—in a 1968 Carnegie Hall concert with Gianfranco Cecchele, Louis Quilico (star of last night’s Met Rigoletto stream) and Elinor Ross, who died in March at age 93.
Another point of etiquette is that a gentleman must never leave the ladies of his own box alone.
Trove Thursday uncovered two broadcasts of Donizetti’s Lucrezia Borgia that share a fascinating nexus: in each an enduring superstar tenor—José Carreras/Alfredo Kraus—is poisoned by a soon-to-vanish rising-star soprano—Vasso Papantoniou/Margarita Castro-Alberty.
Renée Fleming presented a satisfyingly eclectic and quietly daring program of songs and arias, an interesting timestamp on a career that, despite its crepuscular vibe, seems as active as ever.
Ordinarily we’d be listening to Bayreuth Festival broadcasts this week but instead Trove Thursday steps up with a true Wagner rarity: Die Feen from the Wiener Staatsoper starring as Ada, the fairy in love with a mortal, Gundula Janowitz, who turns 83 on Sunday.
Sonya Yoncheva’s first-ever Princess Romazov was one of this summer’s casualties but Trove Thursday steps up with a rare 1960 in-house pirate of Giordano’s Fedora starring Renata Tebaldi, Giuseppe di Stefano and Tito Gobbi along with a pair of Tebaldi-di Stefano Puccini highlights from the early 1950s.
I still remember, and some of it quite vividly, what it was like to experience Achim Freyer‘s intense and groundbreaking Ring production all these years later.
Such a sleek, polished finish is a testament to the incredible resources and experience at the Met’s disposal – to coordinate this livestream across two different continents so seamlessly and with such flair is very impressive indeed.
We can delight in films that make use of motif to give opera-lovers an extra little jiggle.
Starring Anna Netrebko, Piotr Beczala, Mariusz Kwiecien and Alexei Tanovitski, conducted by Valery Gergiev. From October 5, 2013.
Oh, yes, it’s Ladies’ Night and the feeling’s right! Oh, yes, it’s Ladies’ Night! Oh, what a night!
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