Hymns and chaos
It’s Easter season, and that can mean only one thing for opera: It’s Cavalleria Rusticana time. And I, for one, couldn’t be more excited.
It’s Easter season, and that can mean only one thing for opera: It’s Cavalleria Rusticana time. And I, for one, couldn’t be more excited.
While Harry Rose finishes his senior thesis on Gabriele d’Annunzio, Trove Thursday joins in his fascination with Dante’s damned adulteress with two settings (both from Amsterdam!) of Francesca da Rimini.
On this day in 1975 Rossini’s Siege of Corinth had its American stage premiere at the Metropolitan Opera. Soprano Beverly Sills made her official Met debut as Pamira.
Who could doubt that Leontyne Price contains multitudes?
One of the more unfortunate losses from the Met’s closure is its revival of Simon Boccanegra, so Trove Thursday steps up with a 1975 Berlin performnace of Verdi’s dark masterpiece with Ingvar Wixell, Gundula Janowitz, José van Dam and Bruno Prevedi.
On this day in 1892, Adelina Patti sang her first and only performance of La traviata at the Metropolitan Opera House.
I need to get something off my chest. I love bel canto.
Trove Thursday couldn’t wait until Passover to offer Mendelssohn’s Elijah featuring two of my favorite singers, Gabriela Benacková and José van Dam, joined by Florence Quivar, Francisco Araiza and Thomas Moser.
On this day in 1959 Alban Berg‘s Wozzeck had its Metropolitan Opera premiere.
Later this month Asmik Grigorian will star in Covent Garden’s new Jenufa, which Trove Thursday anticipates presenting the acclaimed Lithuanian soprano in a broadcast from 2014 of Tchaikovsky’s rare opera The Enchantress (Charodeyka).
VIctor Herbert demonstrates in this slight, affectionate piece a talent for keeping his musico-dramatic balls in the air, as Madeleine’s spirits juggle, fall, rise again, and droop to elegant resignation at the last.
I never imagined I’d see such a rote park-and-bark Wagner production created in 2020!
After tonight’s dark drab dud of a Dutchman, I was plunged into despair.
In the opera world, one of the pieces that underwent a multitude of changes in its reception was undoubtedly Richard Wagner’s longest and most Germanic opera, Die Meistersinger von Nürnberg.
The season’s second cast delivered a satisfying, if not transcendent, La Traviata at the Met last night as they struggled to emerge from piles of jewel tone brocade and gold filigree.
Trove Thursday previews Massenet’s Werther—due to return next month at the Met—with a 1984 Paris performance starring two marvelous protagonists, Tatiana Troyanos and Alain Vanzo.
For those of you keeping track at home that’s four substitutions for three roles and the curtain hasn’t even gone up yet.
Sunday is Handel’s 335th birthday, an event Trove Thursday celebrates with Rodelinda, Regina de’Longobardi, one of the composer’s most popular works.
By an astounding coincidence, on Monday night Handel’s third and fourth extant operas were being performed simultaneously across the street from each other at Lincoln Center.
Saturday’s performance of Così fan tutte demonstrated that even the cool, acerbic wit of Mozart’s most controversial comedy can warm our hearts in these icy winter months.
Today’s Trove Thursday was originally scheduled for February 27, which would have been Mirella Freni’s 85th birthday, but instead we remember today the beloved soprano who passed away this past weekend in Puccini.
It’s 2020, Ivo’s the new Ethel Merman, and I caught a preview of his fourth Broadway show and first Broadway musical, West Side Story.
Handel’s biting Agrippina finally arrived at the Metropolitan Opera Thursday evening 310 years after its Venetian premiere.
Is there any opera more bullet-proof than Le Nozze di Figaro?
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