Performance Reviews

Reviews of operatic, vocal, and classical performances at the Metropolitan Opera, Carnegie Hall, all across America, and around the world.

Unashamedly dark Unashamedly dark

It was a meaty program. But both singers had the chops for it.

One little soldier One little soldier

Take it as a high compliment to the harrowing, riveting Soldier Songs that I was grateful it lasted only one hour. My nerves couldn’t have handled more.

Terracotta puppets of the gods Terracotta puppets of the gods

Dancing sheep! Flying sheep! Flying sheep who dance!

Learning to fly Learning to fly

Conceived by Adam Guettel as a song cycle that explores human relationships to the gods across the span of history into today, Myths and Hymns has been seen and heard in concert and staged settings, and some of the individual songs are often performed in cabaret.

All about my moth All about my moth

The performance of an opera, indeed, seems almost a third narrative, atop the dreamer under the scientific microscope and the larva turning into a butterfly, and the mingling is not always clear—but then, clarity never seems to be the intention.

The ties that bind The ties that bind

Like everyone reading this, I imagine, I’ve missed going to see and hear something in person more than I thought possible.

On the beach On the beach

The immediate and personal catastrophe interleaves with the general and universal and ancient.

Crossing over Crossing over

Without furnishings to distract them, the cast prowled the stage with sinister energy, exchanging significant looks and deadly secrets as though fearing Nihilists behind every drapery.

Times after times Times after times

Despite the ongoing pandemic and the political upheaval, the Prototype Festival is back, and it is bigger and more accessible than ever before.

You aren’t any good to me dead You aren’t any good to me dead

The Murder of Halit Yozgat by Ben Frost and Petter Ekmann is flavorsome in its use of sound, vocal and otherwise, to explore the elements of the story, to keep you tied in, and guessing.

Jamie & Julia Jamie & Julia

As Julia Child, Jamie Barton is clearly having the time of her life.

Champagne o’clock Champagne o’clock

Happy New Year, dear readers, from me, Callum, and Christine Goerke’s headband-tiara!

The gang’s all queer The gang’s all queer

If the original version of The Prom had zazz—to borrow from one of the show’s signature numbers— Ryan Murphy’s adaptation barely achieves fizz.

No Grinches allowed No Grinches allowed

Grab a fuzzy robe, a hot toddy, and a Wales guidebook, then sink blissfully into your couch for Bryn Terfel’s Christmas concert for the Met’s Live in Concert Series.

Halfway to heaven Halfway to heaven

All in all, Mahler’s ethereal evocation of the natural world, and the world beyond our own, is becoming old hat.

Philadelphia stories Philadelphia stories

Has anything positive happened to the performing arts since the plague engulfed us nearly ten months ago?

Recasting the mold Recasting the mold

Kennedy Center could not have predicted just how aptly Saturday evening’s rescheduled recital of 2020 Marian Anderson Award winner, baritone Will Liverman, would respond to the moment.

Bel canto, from a distance Bel canto, from a distance

I’ll just note that Cameron and I listened separately; we didn’t compare notes; and on our own, came up with the same list of top three singers… none of whom were among the actual winners.

Atlantis in Atlanta Atlantis in Atlanta

“Once upon a time / Lived a foolish king. / Mocking Death, his crime, / Pure chaos he bring.”

A couple of misfits A couple of misfits

Diana Damrau and Joseph Calleja presented an uneven program in a lavish setting this weekend in the most recent entry in the Met’s concert series.

Friend me a tenor Friend me a tenor

A particularly heartbreaking aspect of the pandemic shutdown has, of course, been helplessly watching rising artists have their careers plunged into indefinite silence. But for a few bold souls who are willing to try new things, the moment has also opened doors.

A ‘Barbiere’ of quality A ‘Barbiere’ of quality

What a joy when a comic opera gets you cackling through the whole night, discovering new nuances and perspectives from an oft-seen work and delighted with wonderful singing!

Dreaming a world Dreaming a world

Fueled by a fierce intelligence, deep earnestness, exceptional eloquence, and social media savvy, Joyce DiDonato is a presence and a power, as much when speaking and thinking as when singing. Who better to imagine a program that would suit this (we hope) unique moment?

Music, give us hope Music, give us hope

It was hard for me not to get choked up, watching two of AVA’s most promising young graduates having to make this opportunity for themselves, and doing it with such palpable good humor.