Sonya Yoncheva’s first-ever Princess Romazov was one of this summer’s casualties but Trove Thursday steps up with a rare 1960 in-house pirate of Giordano’s Fedora starring Renata Tebaldi, Giuseppe di Stefano and Tito Gobbi along with a pair of Tebaldi-di Stefano Puccini highlights from the early 1950s.
I still remember, and some of it quite vividly, what it was like to experience Achim Freyer‘s intense and groundbreaking Ring production all these years later.
Such a sleek, polished finish is a testament to the incredible resources and experience at the Met’s disposal – to coordinate this livestream across two different continents so seamlessly and with such flair is very impressive indeed.
We can delight in films that make use of motif to give opera-lovers an extra little jiggle.
Starring Anna Netrebko, Piotr Beczala, Mariusz Kwiecien and Alexei Tanovitski, conducted by Valery Gergiev. From October 5, 2013.
Oh, yes, it’s Ladies’ Night and the feeling’s right! Oh, yes, it’s Ladies’ Night! Oh, what a night!
What does the opera singer of the future look like?
Starring Sonya Yoncheva, Susanna Phillips, Michael Fabiano, Lucas Meachem, Alexey Lavrov, Matthew Rose and Paul Plishka, conducted by Marco Armiliato. From February 24, 2018.
Starring Anita Hartig, Anita Rachvelishvili, Aleksandrs Antonenko and Ildar Abdrazakov; conducted by Pablo Heras-Casado. Transmitted live on November 1, 2014.
With the Fourth of July approaching, Trove Thursday turns to a quintessentially American opera with the broadcast of the world premiere—some 60 years after its composition—of Scott Joplin’s Treemonisha with Alpha Floyd, Seth McCoy and Simon Estes conducted by Robert Shaw.
This video recording of Il trovatore is sensational for all the right and wrong reasons simultaneously.
Starring Lisette Oropesa, Michael Fabiano and Artur Rucinski; conducted by Maurizio Benini. Transmitted live on October 26, 2019.
Trove Thursday offers a problematic yet fascinating work that would almost certainly not be staged today: Il Guarany by Carlos Gomes featuring João Gibin, Gianna d’Angelo, Piero Cappuccilli and Nicola Zaccaria.
Robert Wilson is many things: a visionary (certainly); an iconoclast, artist, director, and designer of sets, lighting, costumes, movement (and furniture). Yet his work is never boring (well, at least not intentionally).
Conducted by Riccardo Frizza; starring Renée Fleming, Lawrence Brownlee, John Osborn, Barry Banks and Kobie van Rensburg. Transmitted live on May 1, 2010.
Joseph Bologne, Chevalier de Saint George is frequently referred to as “le Mozart noir.” While surely intended as a favorable comparison to Mozart, the sobriquet is diminishing, implying that Bologne’s music was somehow derivative of Mozart’s.
Trove Thursday finally welcomes Wagner’s Lohengrin arriving in a concert performance conducted by Georg Solti with Siegfried Jerusalem, Julia Varady, Eva Randová, Hermann Becht, Hans Sotin and Wolfgang Schöne.
On the first viewing of this Idomeneo, with a cast clad mostly in military khaki green set against a green sky, the eye starts to tire from the dullness of the surroundings.
Conducted by Patrick Summers; starring Anna Netrebko, Eric Cutler, Franco Vassallo and John Relyea. Transmitted live on January 6, 2007.
Mascagni’s Cavalleria Rusticana has always been a particular favorite, although I’ve only seen it staged once (and that by an amateur company the details of which I share spare you all, save to note that dinner was served during the performance.)
AVA met the challenge with a delightful, if necessarily truncated, video recital that allowed each singer to participate in the now-familiar Zoom platform.
As the late Arlene Saunders had a very limited commercial discography and performed mostly in Europe, I thought some readers might be curious to hear more of her.
Trove Thursday goes mini-epic with Gustave Charpentier’s naturalistic slice-of-life of fin-de-siêcle Paris in a rare 1999 Renée Fleming performance of Louise co-starring Jerry Hadley, Samuel Ramey and Felicity Palmer.
What options are there for the Met and the other performing arts organizations trying to envision restarting performances in the fall?
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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