Enzo Bordello

Jason McVicker, one of the first contributors to parterre box under the name “Enzo Bordello,” was a private clinical social worker/therapist at Lakeview Center for Psychotherapy and a visiting faculty member at the University of Chicago School of SSA, the Jane Addams College of Social Work at UIC and Loyola University School of Social Work. Jason’s grandmother instilled a love of opera in him at a young age and he carried that passion with him until his death in 2016 at the age of 54. His husband, Michael Worley, notes, "Jason was a walking encyclopedia of opera, which he discovered at the age of eight. He could tell you the year of any major singer's debut at a certain opera house, recognize the singer in most audio recordings, and tell you the whole cast of most Metropolitan Opera broadcasts. Jason worked as stage manager at the New Orleans Opera and later traveled extensively to the great American and European opera houses. He wrote numerous opera reviews for Windy City Times, and most recently for an Italian online opera zine, GB Opera.”

Joy in the morning

“Gioia!” is the title of Aleksandra Kurzak‘s debut aria recital, her first international release under a new exclusive contract with Decca Music Group, and—not surprisingly—this writer’s response to the soprano’s sparkling vocalism.   In the liner notes, the Polish soprano explains that the title of this recording was her agent’s suggestion: “He said that he can […]

By 29 comments

The art of making art

In this new Decca DVD of Tosca we find a highly intellectual, even fascinating staging at odds with the visceral nature of the original melodrama but one that inspires its cast to great heights.  Robert Carsen is a clever producer with an elegant visual palette.  He employs the same directorial strategy as his famous Mefistofele […]

By 22 comments

Remembering Shirley Verrett

When handing out the goodies, the gods weren’t stingy with Shirley Verrett.  Few opera singers were as prodigiously gifted as Verrett:  the perfect amalgam of Kunst and Stimm housed in a frame of voluptuous allure.  In addition to an instrument of stunning natural beauty and easy range, Verrett displayed superior musicianship, dramatic intelligence and searing […]

By 31 comments

Lavender lady

According to Mary Garden’s autobiography, Claude Debussy first encountered the Scottish-born diva at the Opéra Comique.  After rehearsing her at the piano in a few scenes from his newly completed opera, Debussy said to Garden:  “To think that you had to come from the cold far North to create my Mélisande.”  He then turned to […]

By 4 comments

The last days of disco

The Met’s 1979 telecast of Mahagonny exposed one of the lesser-known factors contributing to the demise of disco:  the global supply of eye shadow, rouge and lip gloss was exhausted for the next decade by a cast featuring Klara Barlow, Louise Wohlafka, Nedda Casei, Gwynn Cornell, Joann Grillo and Isola Jones—and stilettos, garter belts and […]

By 9 comments

Snake charmer

A long-awaited DVD from the Met documents one of the great “42nd Street” episodes in operatic history: on December 20, 1980, a largely unknown Julia Migenes (or Migenes-Johnson, as she was called in those days) stepped in on a few hours’ notice for an ailing Teresa Stratas as the anti-heroine of Berg’s Lulu. A prodigiously […]

By 7 comments

Sign up for Parterre’s free newsletter.

Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.

By submitting your email address, you will receive a free subscription to Parterre Box’s email newsletters and occasional special offers from us and our affiliates. You can unsubscribe at any time and we encourage you to read more about our Privacy Policy.