Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Opera Theatre of Saint Louis does its best to give magic in its summer productions of Roméo et Juliette and A Streetcar Named Desired.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
Wolf Trap Opera triumphs in a fizzy, fun Cenerentola.
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
Leyla Gencer had a long European career but never sang at the Met.
After success at the Met as Turandot and before a historic Medea, soprano Anna Pirozzi talks to Harry Rose about her voice, her repertoire, and where her “second explosion of career” is taking her.
Video Artists International brings us back to a time when opera was carried over the airwaves by great voices—and a tire company.
Baltimore Symphony Orchestra’s concert Rigoletto hits some vocal turbulence
A full century after her heyday, Argentine soprano Hina Spani still moves us thanks to her vivid recordings and the savants who have cherished and shared them.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
The one who got away was Anna Caterina Antonacci, a thrilling performer.
Conductors, schlock, and 26-27, oh my! Make sure to weigh in on our next edition of The Talk of the Town.
In the case of Lina Bruna Rasa, the reasons why she never sang at the Met are painfully clear.
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