Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Maria Kataeva makes a promising US debut in an otherwise uneven revival of Il Barbiere di Siviglia in San Francisco.
From one Mister Snow to another, I salute him.
I decided I’d take ‘never made it to the Met’ as an excuse to submit a post about why French soprano Denise Duval (1921-2015) is special to me.
Madison Schindele surveys the endlessly diverse offerings of Berlin’s 2026-27 opera season.
A.J. Goldmann on the Salzburg Festival’s revolving doors, both in its administration and in its delectable production of Il viaggio a Reims.
The immortal Renata Tebaldi, just about 29 years old as Saint Joan in a RAI broadcast of Giovanna d’Arco from 1951.
Bass-baritone Le Bu’s recital with Vocal Arts DC highlighted his linguistic and timbral versatility.
It has become that time of evening… to opine during the latest round of The Talk of the Town.
A new production of Die schweigsame Frau at the Berlin Staatsoper has precious little to say.
Christopher Corwin picks the flowers of a baroque May in New York City with reviews of concerts starring Lauren Snouffer, Key’mon Murrah, and the Oratorio Society of New York.
The mesmerizing run of Trovatore in October 2015 at the Met, a few months after we learned that Hvorostovsky was dying
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Here in Chicago, I’ve had many a shot at listening to Riccardo Muti as a Verdi conductor.
Don’t expect any sweeping statements from Franz Welser-Möst ‘s polished, if dramatically inert, Fidelio.
Die Walküre heralds the end of an era for the Los Angeles Philharmonic — and the arrival of a new generation of Wagnerians.
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