Beyond the valley of the gods
The Bayerische Staatsoper’s Ring cycle scores another triumph with Tobias Kratzer’s take on Die Walküre.
The Bayerische Staatsoper’s Ring cycle scores another triumph with Tobias Kratzer’s take on Die Walküre.
Greek National Opera’s Medea in the ancient theater at Epidaurus is an intermittently rewarding exercise in nostalgia.
San Francisco Opera hosts an exuberant tribute to queerness past and present.
Historically, conductors were often viewed as rigid, authoritarian figures. Yannick Nézet-Séguin completely subverts this stereotype.
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Brett Dean‘s Of One Blood casts a well-trodden Tudor tale in a poignant, new light.
The artist who I feel should have made it to the Met is Patrizia Ciofi.
Giannina Arangi-Lombardi never sang at the Met.
Brundibár at the Opéra Comique combines whimsy with historicity to sobering effect.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
The premiere recording of David T. Little’s What Belongs to You reveals a work of both tenderness and artistic tenacity.
John Danaher pays an operatic tribute to the writings of James McCourt, an author who captured the spirit of opera as queer and dangerous like no other.
Yannick Nézet-Séguin, leading the Met Orchestra, and Joyce DiDonato continue their exploration of Mahler at Carnegie Hall.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Opera Theatre of Saint Louis does its best to give magic in its summer productions of Roméo et Juliette and A Streetcar Named Desired.
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