Kevin Ng
Rachel Willis-Sørensen might be the greatest American soprano right now who doesn’t sing much in America.
By Kevin Ng
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Not in my wildest dreams could I have come up with anything more homosexual than the sight of Almodóvar muse Rossy de Palma in a stage-length wedding gown onstage Madrid’s Teatro Real.
By Kevin Ng
“The mystery of her voice gripped my soul,” Sharpless tells Pinkerton at the beginning of Puccini’s Madama Butterfly. One could say the same thing of Aleksandra Kurzak’s remarkable portrayal of the title role, the main reason to catch the Met’s latest revival.
By Kevin Ng
Nothing says “diva” like an insane recital program.
By Kevin Ng
“None of that sentimental crap, okay?”
By Kevin Ng
To paraphrase Terence Blanchard’s Champion, what makes an opera an opera?
By Kevin Ng
I wish more sopranos programmed recitals like Fatma Said does.
By Kevin Ng
It doesn’t get more classic than John Dexter‘s Dialogues des Carmélites.
By Kevin Ng
The main reason to see this revival is Benjamin Bernheim’s Duca.
By Kevin Ng
