Kevin Ng
I’m old enough to remember when Yannick Nézet-Séguin could do no wrong.
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Rachel Willis-Sørensen might be the greatest American soprano right now who doesn’t sing much in America.
Not in my wildest dreams could I have come up with anything more homosexual than the sight of Almodóvar muse Rossy de Palma in a stage-length wedding gown onstage Madrid’s Teatro Real.
“The mystery of her voice gripped my soul,” Sharpless tells Pinkerton at the beginning of Puccini’s Madama Butterfly. One could say the same thing of Aleksandra Kurzak’s remarkable portrayal of the title role, the main reason to catch the Met’s latest revival.
Nothing says “diva” like an insane recital program.