Bembo eruption
Supported by an ingenious production and strong performances, Antonia Bembo’s Ercole Amante makes a successful Paris Opera debut.
Supported by an ingenious production and strong performances, Antonia Bembo’s Ercole Amante makes a successful Paris Opera debut.
So much color in this beautifully agile voice.
Opera Theater of St. Louis’s summer festival opened last night and Parterre Box is celebrating by launching a new feature: custom travel guides!
Emma Hoffman reports on the glimmers of ecstatic artistry in Lise Davidsen‘s all-Schubert recital at Carnegie Hall with James Baillieu.
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
Elsa Dreisig, Jonas Kaufmann, and Malin Byström lead recent album releases.
I’m surprised that American soprano Maria Kanyova has never performed at the Met, even though she has loads of high-profile U.S. opera credits.
Christopher Corwin speaks to rising bass-baritone Le Bu about his journey from Yancheng, China to the Met (with a stop in Wichita) and what important roles await him.
The fact that Barbara Hannigan has never performed at The Metropolitan Opera is just plain dumb.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Maria Kataeva makes a promising US debut in an otherwise uneven revival of Il Barbiere di Siviglia in San Francisco.
From one Mister Snow to another, I salute him.
I decided I’d take ‘never made it to the Met’ as an excuse to submit a post about why French soprano Denise Duval (1921-2015) is special to me.
Madison Schindele surveys the endlessly diverse offerings of Berlin’s 2026-27 opera season.
A.J. Goldmann on the Salzburg Festival’s revolving doors, both in its administration and in its delectable production of Il viaggio a Reims.
The immortal Renata Tebaldi, just about 29 years old as Saint Joan in a RAI broadcast of Giovanna d’Arco from 1951.
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