Recent Stories
Brigitte Fassbaender’s acid-laced production of La finta giardiniera leans into the absurdities of Mozart’s early dramma giocoso.
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
My contribution this month honors the great Sherrill Milnes in his electrifying performance of Iago’s credo (1979, Met).
Tired of Turandot? “The Dancing Goddess” at the China Institute Gallery gives us a glimpse at a real Peking Opera queen.
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
Grand Tier Grab Bag
Lady in waiting
One Italian soprano continues to save the day in bel canto roles at La Scala; this week Parterre Box features Marta Torbidoni.
One Italian soprano continues to save the day in bel canto roles at La Scala; this week Parterre Box features Marta Torbidoni.
Box Braid
Ambur Braid‘s biggest dramatic soprano assignment yet — the Dyer’s Wife in Aix — is occasion for Parterre Box to feature her in some of her old repertoire.
Ambur Braid‘s biggest dramatic soprano assignment yet — the Dyer’s Wife in Aix — is occasion for Parterre Box to feature her in some of her old repertoire.
Goodnight, Irene
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Constance: A Confession, presented in Brooklyn by Experiments in Opera, satirizes our digital age with style.
Anna Pirozzi makes a welcome return to the Metropolitan Opera, but Turandot remains as thorny as ever.
Bring on the drama, mama!
Nadine Sierra‘s Gilda at the Metropolitan Opera had that rare quality of sounding both immaculate and spontaneous, as if Verdi’s lines were being discovered in the moment rather than executed.
Gabriela Lena Frank’s El Último Sueño de Frida y Diego enchants and surprises despite the Disnified treatment of its subject matter.
Talk of the Town
Antonio Pappano is a great opera conductor
Antonio Pappano‘s versatility in both German and Italian repertoire and beyond is both rare and impressive.
Antonio Pappano‘s versatility in both German and Italian repertoire and beyond is both rare and impressive.
Dimitri Mitropoulos was a great opera conductor
Whether an opera by Puccini, Verdi, Wagner, Strauss, or Berg, Dimitri Mitropoulos brought to the podium a total understanding and love for each score he touched.
Whether an opera by Puccini, Verdi, Wagner, Strauss, or Berg, Dimitri Mitropoulos brought to the podium a total understanding and love for each score he touched.
Rudolf Kempe was a great opera conductor
I am once again going to laud the classic Rudolf Kempe commercial recording of Lohengrin (which I have lauded overall) for its conducting.
I am once again going to laud the classic Rudolf Kempe commercial recording of Lohengrin (which I have lauded overall) for its conducting.
Roger Norrington was a great opera conductor
Roger Norrington conducted Rossini’s Semiramide in Pesaro ’94 and made the Orchestra part of the drama in a way I still have never heard duplicated in a Bel Canto opera.
Roger Norrington conducted Rossini’s Semiramide in Pesaro ’94 and made the Orchestra part of the drama in a way I still have never heard duplicated in a Bel Canto opera.
Fabio Luisi is a great opera conductor
Many years ago, when the Met was deciding who the next principal conductor/music director was going to be, it seemed to be a tie between YN-S and Fabio Luisi.
Many years ago, when the Met was deciding who the next principal conductor/music director was going to be, it seemed to be a tie between YN-S and Fabio Luisi.
Pierre Monteux was a great opera conductor
Pierre Monteux‘s career defies time.
Pierre Monteux‘s career defies time.
“Soprano Vida Miknevičiūtė will make her company debut singing the role of Minnie in the new production of Puccini’s La Fanciulla del West, replacing Sondra Radvanovsky, who has withdrawn due to personal reasons.”
The American tenor, who made a triumphant mid-career comeback in 2022, has died.
Clémence de Grandval’s Mazeppa gets the superhero treatment in Dortmund.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
I’ve looked to Sherrill Milnes many a time for insight and guidance whenever I’ve added a new Verdi role to my repertoire.
Soprano Amanda Forsythe as Ilia and tenor David Portillo in the titular role were highlights of Washington Concert Opera’s robust Idomeneo.
Stiffelio has always been the dark horse of early Verdi operas.
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