Some filth or dementia from Harry Rose
Not really sure what was going on here.
Not really sure what was going on here.
Dmitri Tcherniakov‘s production of Der Freischütz in Munich may fire a few blanks, but the musicians are all on target.
Rising stars Chelsea Lehnea and Ricardo José Rivera are the protagonists of this week’s Grand Tier Grab Bag.
Who doesn’t love a slightly murky archival recording?
The bonkers, bewildering Die ägyptische Helena begets a suitably lush musical and creative treatment at Bard SummerScape.
Just in time for this month’s theme of filth or dementia, a review of Terrence McNally‘s Master Class from Central City Opera.
Ma che brutta figura per la lirica!
The Bayerische Staatsoper’s summer festival wound down with Lotte de Beer’s darkly effective production of Gounod ’sFaust.
I sort of have a love/hate fascination with countertenors/male falsettists.
Karina Gauvin slays for the slayed. Werk Bitch.
Zubin Mehta was a major part of musical life when I moved to Southern California in 1969, having started his tenure as music director of the Los Angeles Philharmonic.
It’s a busy summer for Vida Miknevičiūtė and Eric Cutler, the subjects of this week’s Grand Tier Grab Bag.
Yuval Sharon‘s production of The Excursions of Mr. Brouček shoots for the moon — and lands somewhat limply on Lake Constance.
It is no wonder Bernard Herrmann relishes the wistful lyricism in Barber’s masterwork, as Herrmann’s score for Vertigo is among the most beautiful and haunting of all film scores ever composed.
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