Some filth or dementia from Belle Raggio
Renée as Thaïs finding salvation while trudging through the parched Egyptian desert in off-the-shoulder La Croix atelier.
Renée as Thaïs finding salvation while trudging through the parched Egyptian desert in off-the-shoulder La Croix atelier.
San Francisco goes baroque with performances of Handel‘s Alcina, Tolomeo, and Rinaldo.
At Wolf Trap Opera, a season-closing Tosca is weighed down by an incoherent setting during Italy’s Anni di piombo.
What to our wondering ears should appear, but a 40-track Jonas Kaufmann Christmas album?
Speaking of dementia in opera, all I can think of is the extraordinary reimagined production of Béla Bartók’s chamber opera Bluebeard’s Castle that I saw at Atlanta Opera in October 2022.
Aryeh Nussbaum Cohen shows that he’s at the top of a crowded pack of countertenors in two recent New York performances with Philharmonia Baroque.
Alexander Köpeczi, currently plying leading roles in two operas in Santa Fe and, rumor has it, the life of one prominent soprano, is the object of this week’s Grand Tier Grab Bag.
Ilana Walder-Biesanz reports from The Santa Fe Opera, where Tobias Picker‘s latest opera falls short, a new Rodelinda scintillates, and sumptuous singing abounds across the entire repertoire.
That this performance of Verdi’s Lady Macbeth was recorded and preserved for posterity is beyond the pale.
Richard Lynn would like to bring some operatic podcast episodes of The Sewers of Paris and Die Primadonnen to your attention.
Dementia and filth in the same clip!
Shakespeare Opera Theatre presented two American operas exploring themes of hypocrisy and deception — in a church!
Zémire et Azor, André-Ernest-Modest Grétry‘s riff on “Beauty and the Beast”, gets a rare outing in the Berkshires.
Malin Byström is a radiant water nymph in the Bayerische Staatsoper‘s house-of-horrors-set Rusalka.
Not really sure what was going on here.
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