When we meet in sweet Siberia
Beatrice Venezi may have been exiled to Siberia, but Stacy Jarvis argues that opera’s combination of global economics and local judgments mean that no artist is truly cancelable.
Stacy Jarvis
Stacy Jarvis is a Manchester-based music historian, violinist and culture writer. She writes regularly for UK and international publications and is a frequent radio contributor on classical music and cultural history. Her work explores opera, musical history and the intersections between music, politics and society. She is completing a PhD in musicology at the University of Birmingham.
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).