Aria law
Richard Lynn muses on whether the Met can make good on its exciting new promise of “Opera For All” while the goals of its $1.5 billion fundraising campaign remain murky.
Richard Lynn muses on whether the Met can make good on its exciting new promise of “Opera For All” while the goals of its $1.5 billion fundraising campaign remain murky.
With San Francisco Opera’s orchestra on strike and bass Andrew Potter retiring at 43, Miles Greenberg sees opera’s ethics and economics of impracticality at a breaking point
Calling from 2066, Brendan Latimer argues that the best way to save opera might be to just blow up the standard repertoire altogether.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.