Ursula Sturgeon
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
Ursula Sturgeon looks at the furry opera company HowlAria and discovers that maybe one man’s Callas recording collection is another man’s fursuit.
Perhaps the conversation about Rigoletto and disability isn’t limited to physical appearance. What if we broaden the scope of what disability in this opera might look like?
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