Recent Stories
A captivating Asmik Grigorian leads the Bayerishce Staatsoper‘s revival of its Holocaust-set Salome.
Ilana Walder-Biesanz discovers how Houston Grand Opera is celebrating 250 years of America and 100 years of Carlisle Floyd with a new production of Of Mice and Men.
This performance features Samuel Ramey in what I consider one of the most powerful deliveries of this aria on record.
“Even Peter Gelb’s critics concede that he has had a long run of finding pots of gold,” says The New York Times of the Metropolitan Opera‘s dire money troubles. “But is he running out of rainbows?”
Nobody in my experience has come close to rivaling Samuel Ramey as the shy, lovelorn Englishman Lord Sidney from that first cast.
Confused dramaturgy dampens an otherwise sparkling night of singing in Opera Baltimore’s Lucrezia Borgia.
Grand Tier Grab Bag
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
American Bach brings out the operatic side of Bach in a program featuring sparkling vocal talents.
Mascagni‘s Zanetto, a slight, Renaissance scene, gets a new recording from the Berlin Opera Group.
The great bass Len Dresslar became famous (if unknown) as the voice of the Jolly Green Giant on all those ads that those of us (of a certain age) grew up on
Despite some fine performances, Così fan tutte at the Livermore Valley Opera doesn’t quite click into place.
Akhnaten has lost none of its power or glitz at the Los Angeles Opera.
Fyodor Chaliapin, the very great Russian basso, to this day owns the role of Massenet’s Don Quichotte.
Talk of the Town
Patrizia Ciofi should have made it to the Met
The artist who I feel should have made it to the Met is Patrizia Ciofi.
The artist who I feel should have made it to the Met is Patrizia Ciofi.
Giannina Arangi-Lombardi never made it to the Met
Giannina Arangi-Lombardi never sang at the Met.
Giannina Arangi-Lombardi never sang at the Met.
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Sena Jurinac should have made it to the Met
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Janet Baker should have made it to the Met
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Strong performances at Opera Naples can’t overcome the cringey nostalgia of Derrick Wang‘s Scalia/Ginsburg.
The one, the only Fyodor Chaliapin, singing Massenet’s “Elegie” (with, I believe, a young Piatigorsky on the cello part).
Will Liverman and Kiera Duffy brought an eclectic program to their jovial post-blizzard recital at Rhode Island College.
Fyodor Chaliapin is considered one of the greatest basses ever because he combined a dark, flexible, and instantly recognizable bass voice with extraordinary musical intelligence and nuance.
A uniformly strong cast triumphs over a dull production of Don Carlo at the Dallas Opera.
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.