A favorite art song performance from Moe Rear
This performance of Poulenc‘s “Les Chemins de l’amour” is a gem.
This performance of Poulenc‘s “Les Chemins de l’amour” is a gem.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
A very haunting Hugo Wolf song sung exquisitely here by Arleen Auger.
Golda Schultz soldiers through illness at the New York Philharmonic.
The Chicago Symphony Orchestra explores love and death in an intense, intelligent program featuring soprano Corinne Winters.
I had heard the renowned Dutch soprano on recordings and was an admirer of hers. I was unprepared, however, for such a truly memorable evening.
The embattled Andris Nelsons and the Boston Symphony Orchestra bring Adams and Dvorák to Carnegie Hall.
Thanks to Elly Ameling, I made it through college.
A new DVD recording of La Juive boasts considerable musical strengths in spite of a frustrating production.
What a shaded and elegant delivery William Mattteuzzi brings to this lilting setting of D’Annunzio‘s “O falce di luna calante”!
Does this count as an art song?
Golda Schultz casts darkness in an alluring light in an intimate recital at the New Orleans Opera Festival.
I have always loved this recording of Canteloube‘s Chants d’Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
Lyric Opera of Chicago announces its 2026-27 season.
Kaija Saariaho’s spectral, shattering Innocence makes its Metropolitan Opera debut.
Jessye Norman really embraces elements of the song falling somewhere between classical art song and popular ballad.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
The inaugural New Orleans Opera Festival goes big across the Big Easy.
Janet Baker sings Elgar‘s Sea Pictures with such honesty and clarity and fervor.
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