Crete-ed rivalry
Soprano Amanda Forsythe as Ilia and tenor David Portillo in the titular role were highlights of Washington Concert Opera’s robust Idomeneo.
Soprano Amanda Forsythe as Ilia and tenor David Portillo in the titular role were highlights of Washington Concert Opera’s robust Idomeneo.
Stiffelio has always been the dark horse of early Verdi operas.
I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
The air held a real charge that night in SF’s War Memorial Opera House.
The English soprano, famed for her interpretations of twentieth-century composers like Strauss, Britten, and Poulenc, as well as Mozart and operetta, died yesterday only a few days after announcing that she had a terminal cancer.
Erin Morley, Lawrence Brownlee, and Malcolm Martineau put on a jolly good show at the 92nd Street Y.
This is one of those rare performances that makes you believe that everything Verdi was greater Way Back When.
An exciting cast digs their claws into a heady production of La Calisto at the Théâtre des Champs Elysées.
Nothing prepared me for the Soviero experience
Christopher Corwin surveys the three Traviata casts — led by Lisette Oropesa, Rosa Feola, and Ermonela Jaho — at the Met this spring.
The Bronx Opera‘s Ariadnes auf Naxos is well worth the subway ride. Plus, two strong premieres at the Brooklyn Art Song Society.
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
To celebrate the 100th anniversary performances of Turandot at the Met starting next week, Patrick Dillon gives a listen to seven versions of “Signore, ascolta!” for Perspectives on an Aria.
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