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An opera about the massacre of Israeli athletes at the 1972 Munich Olympics was never going to be an easy task.
Ponchielli goes east with mixed results in I Lituani.
Both performances moved me profoundly and served as a form of catharsis, ending a challenging 2025 with a glimmer of hope for the future
Easily the Met’s new Sonnambula, where cast and production team delivered a gorgeously sung and well thought out concept for a libretto often derided for its simplicity.
Old pros Gregory Kunde and Pier Luigi Pizzi anchor a new staging of Stiffelio co-produced by three theaters in Emilia-Romagna.
Ahead of a special boozy, bawdy Valentine’s Day concert, artistic director of Opera Lafayette Patrick Quigley speaks with soprano Maya Kherani about her journey from MIT to rising American Baroque star.
Salome sweeps in like a storm at the Lyric Opera of Chicago.
Grand Tier Grab Bag
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
Yuja Wang slayed in this performance of Prokofiev‘s 2nd piano concerto with the Boston Symphony.
Franz Welser-Möst leads a rigorous, if emotionally staid, performance of Verdi‘s Requiem at Carnegie Hall.
“Let me look around once more. Who knows when I shall see this house again?”
Many productions have emphasized Salome’s youth, but few have gone as far as this spectacular and visceral production at the Komische Oper by Evgeny Titov.
A Strauss rarity receives a ravishing concert performance at Seattle Opera.
Talk of the Town
Mado Robin should have made it to the Met
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
Maria Kanyova should make it to the Met
I’m surprised that American soprano Maria Kanyova has never performed at the Met, even though she has loads of high-profile U.S. opera credits.
I’m surprised that American soprano Maria Kanyova has never performed at the Met, even though she has loads of high-profile U.S. opera credits.
Barbara Hannigan should make it to the Met
The fact that Barbara Hannigan has never performed at The Metropolitan Opera is just plain dumb.
The fact that Barbara Hannigan has never performed at The Metropolitan Opera is just plain dumb.
Robert Rounseville should have made it to the Met
From one Mister Snow to another, I salute him.
From one Mister Snow to another, I salute him.
Denise Duval should have made it to the Met
I decided I’d take ‘never made it to the Met’ as an excuse to submit a post about why French soprano Denise Duval (1921-2015) is special to me.
I decided I’d take ‘never made it to the Met’ as an excuse to submit a post about why French soprano Denise Duval (1921-2015) is special to me.
A favorite Verdi performance from Eli Jacobson
The immortal Renata Tebaldi, just about 29 years old as Saint Joan in a RAI broadcast of Giovanna d’Arco from 1951.
The immortal Renata Tebaldi, just about 29 years old as Saint Joan in a RAI broadcast of Giovanna d’Arco from 1951.
Christina Nilsson‘s successful Met debut as Aïda was for me one of the shining highlights of the 2025 season.
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