His infinite variety
Bass-baritone Le Bu’s recital with Vocal Arts DC highlighted his linguistic and timbral versatility.
Bass-baritone Le Bu’s recital with Vocal Arts DC highlighted his linguistic and timbral versatility.
It has become that time of evening… to opine during the latest round of The Talk of the Town.
A new production of Die schweigsame Frau at the Berlin Staatsoper has precious little to say.
Christopher Corwin picks the flowers of a baroque May in New York City with reviews of concerts starring Lauren Snouffer, Key’mon Murrah, and the Oratorio Society of New York.
The mesmerizing run of Trovatore in October 2015 at the Met, a few months after we learned that Hvorostovsky was dying
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Here in Chicago, I’ve had many a shot at listening to Riccardo Muti as a Verdi conductor.
Don’t expect any sweeping statements from Franz Welser-Möst ‘s polished, if dramatically inert, Fidelio.
Die Walküre heralds the end of an era for the Los Angeles Philharmonic — and the arrival of a new generation of Wagnerians.
I’ve never been shy about my adoration of Anna Moffo.
Iain Bell and Lydia Steier‘s Medusa stuns in Brussels.
My favorite Verdi performance is the iconic 1960 RCA recording of Otello with Jon Vickers in the title role and the Rome Opera Orchestra and Chorus under the baton of the masterly Tullio Serafin.
Brigitte Fassbaender’s acid-laced production of La finta giardiniera leans into the absurdities of Mozart’s early dramma giocoso.
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
My contribution this month honors the great Sherrill Milnes in his electrifying performance of Iago’s credo (1979, Met).
Tired of Turandot? “The Dancing Goddess” at the China Institute Gallery gives us a glimpse at a real Peking Opera queen.
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