Hercules conquers Carnegie
William Guanbo Su and Ann Hallenberg are compelling in The English Concert’s presentation of Handel‘s Hercules at Carnegie Hall.
William Guanbo Su and Ann Hallenberg are compelling in The English Concert’s presentation of Handel‘s Hercules at Carnegie Hall.
Cesare Siepi and Giulio Neri give a reference rendition of the Grand Inquisitor scene.
As part of Bass Month at the Box, Niel Rishoi considers six versions of “Vi ravviso, o luoghi ameni” from La sonnambula for Perspectives on an Aria.
Not much to say here. Legendary bass Mark Reizen was born in the USSR and thus never got to tour much to the west.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
John Danaher on the world-premiere recording of Clémence de Grandval‘s wild and worthy Mazeppa, the latest release from the operatic archaeologists at Palazzetto Bru Zane.
Boris Christoff’s Procida (along with Cerquetti’s Elena) lifts Mario Rossi’s RAI Torino Vespri to distinction.
If I must choose a single bass performance, it is still Boris Christoff’s Boris Godunov.
David Fox and Dan Johnson report on Yannick Nézet-Seguin‘s recent performances of Mahler’s Symphony No. 2 with the Philadelphia Orchestra in Philadelphia and New York.
Three more months of The Talk of the Town means that we need your most sizzling takes!
Boris Christoff‘s sound is justly famous, and his vocal splendor is on full display here.
Baritone Quinn Kelsey’s recital of English-language art songs in partnership with pianist Craig Ketter was a worthy celebration of Vocal Arts DC’s 35th-anniversary season.
Christopher Purves in Saul – the clarity, the range, the expression, the drama!
Lise Davidsen, Michael Spyres, and Yannick Nézet-Séguin are astonishing in Tristan und Isolde at the Met, while Yuval Sharon‘s new production is anything but.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Time to Act at Pittsburgh Opera effectively employs Greek tragedy to explore the all-too-common tragedies haunting schools across the United States.
No one in my experience both live and on records could swagger, spin out roulades, and ripple through Rossini and Handel like Samuel Ramey.
Before hearing Samuel Ramey as Zaccaria in Nabucco, I had always been more interested in higher voices.
A captivating Asmik Grigorian leads the Bayerishce Staatsoper‘s revival of its Holocaust-set Salome.
Ilana Walder-Biesanz discovers how Houston Grand Opera is celebrating 250 years of America and 100 years of Carlisle Floyd with a new production of Of Mice and Men.
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