Recent Stories
Washington National Opera is leaving the Kennedy Center, according to The New York Times
Tobias Kratzer digs beneath the surface of Strauss‘s Intermezzo in an excellent new DVD from Deutsche Oper Berlin.
I still don’t think Sunset Boulevard is a top-tier musical but it was by far the most memorable vocal performance I saw in 2025.
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
A messy new I puritani at the Met is a historic and historical disappointment.
Elina Garanča scaled the vocal and dramatic summits of the Judgement Duet and Scene in the May series of Aïda.
“Call me traditional, but I want to see a silver platter!”
A staged Freischütz is rare enough in itself to be the highlight of any opera season, but it was in Christoph Marthaler‘s Antwerp production that I connected with the characters and felt the story for the first time.
Grand Tier Grab Bag
Goodnight, Irene
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Houston Grand Opera’s 2025 Breaking the Waves was absolutely my highlight of the year!
Dan Johnson gives an inside look at the creation of Sarah Kirkland Snider‘s rapturous new opera Hildegard which opens at New York’s PROTOTYPE Festival next week.
Fine music-making meets a clunker of a production in La Monnaie‘s revival of Norma
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
In the spring, The English Concert completed a three-city tour performing a concert version of Handel’s Giulio Cesare in Egitto.
Talk of the Town
Patrizia Ciofi should have made it to the Met
The artist who I feel should have made it to the Met is Patrizia Ciofi.
The artist who I feel should have made it to the Met is Patrizia Ciofi.
Giannina Arangi-Lombardi never made it to the Met
Giannina Arangi-Lombardi never sang at the Met.
Giannina Arangi-Lombardi never sang at the Met.
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Sena Jurinac should have made it to the Met
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Janet Baker should have made it to the Met
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
Two weeks remain for you to submit your thoughts for this spring’s The Talk of the Town.
What better sentiment can we embrace as the year ends then to hope, often against against hope, for peace and love in a world of chaos?
The ten most-“read” stories of this truly f*cked-up year
Ivy Lin searches for a slam dunk version of Elvira’s Mad Scene from I puritani in the latest “Perspectives on an Aria.”
A starry (and potentially annual) Christmas gala lights up Carnegie Hall.
I am sure many of us will post the Fledermaus gala, but it doesn’t get better than this, even in a Fledermaus gala
If you’ve ever been to Juan Diego Flórez‘s recitals, you’ll know the part most of the audience is waiting for is when he takes out his guitar.
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