Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
Dull conducting makes Der Freischütz miss its mark at Carnegie Hall.
Rosa Ponselle is the singer who had it all.
“Du bist die ruh” was one of the first art songs I ever knew.
Respighi‘s liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola‘s recording of the first song from Quattro rispetti toscani.
Ten years since the death of countertenor Brian Asawa, Charles Stanton remembers his friend and corrects the record on his untimely passing.
This task feels near impossible, as I listen to a LOT of art song singers on repeat, across decades and continents (from piano to orchestral works) — mostly for pleasure, but also for study.
SoCal goes Scandi in two recent concerts, with one featuring an appearance by Lise Davidsen.
I listen to about as much art song as I do opera and could have filled every day of April with favorite selections.
An invigorating double bill at the San Francisco Symphony challenges how Bach “should” be performed.
This performance of Poulenc‘s “Les Chemins de l’amour” is a gem.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
A very haunting Hugo Wolf song sung exquisitely here by Arleen Auger.
Golda Schultz soldiers through illness at the New York Philharmonic.
The Chicago Symphony Orchestra explores love and death in an intense, intelligent program featuring soprano Corinne Winters.
I had heard the renowned Dutch soprano on recordings and was an admirer of hers. I was unprepared, however, for such a truly memorable evening.
The embattled Andris Nelsons and the Boston Symphony Orchestra bring Adams and Dvorák to Carnegie Hall.
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