Seder play
A new DVD recording of La Juive boasts considerable musical strengths in spite of a frustrating production.
A new DVD recording of La Juive boasts considerable musical strengths in spite of a frustrating production.
What a shaded and elegant delivery William Mattteuzzi brings to this lilting setting of D’Annunzio‘s “O falce di luna calante”!
Does this count as an art song?
Golda Schultz casts darkness in an alluring light in an intimate recital at the New Orleans Opera Festival.
I have always loved this recording of Canteloube‘s Chants d’Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
Lyric Opera of Chicago announces its 2026-27 season.
Kaija Saariaho’s spectral, shattering Innocence makes its Metropolitan Opera debut.
Jessye Norman really embraces elements of the song falling somewhere between classical art song and popular ballad.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
The inaugural New Orleans Opera Festival goes big across the Big Easy.
Janet Baker sings Elgar‘s Sea Pictures with such honesty and clarity and fervor.
Back-to-back casts in the Metropolitan Opera’s revivals of Madama Butterfly and La traviata offer ample opportunity for soprano-gazing.
It’s not where you start but where you Finnish
Benjamin Bernheim opens up to Emma Hoffman about what really makes a French tenor ahead of his New York recital debut.
Wolfgang Holzmair‘s performance was amazing in its personal and intimate approach.
A first-time operagoer is lured to Thaïs at Opera Idaho by the promise of a new experience… and Neil, the Burmese python
William Parker‘s career launch coincided with the closet door fully opening for American male classical vocalists; the cruel irony is that Will was also an early AIDS casualty, gone in 1993 at 49.
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