The arc of life
The dazzling and deeply moving Complications in Sue bodes well for Anthony Roth Costanzo‘s stewardship of Opera Philadelphia.
The dazzling and deeply moving Complications in Sue bodes well for Anthony Roth Costanzo‘s stewardship of Opera Philadelphia.
Das Wunder der Heliane fuses sex with the sacred at a simmering performance at the Opéra National du Rhin.
All in all, an ill-advised venture.
Heavy-hitters: the first complete Ring in its history, Tosca with Marina Rebeka, Jonas Kaufmann, and Ludovic Tézier; plus recitals from Aigul Akhmetshina, Nadine Sierra, Jeanine De Bique, Michael Spyres, and more
Jennifer Holloway, star of Salome at the Lyric Opera of Chicago, talks with Christina Colanduoni about re-launching her career as a soprano and how her Salome is “just trying not to disappear under everybody else’s rule.”
The vivacious MANON! at Heartbeat Opera makes a strong case for the return of opera in translation.
It’s always surprised me how so many performances of the major Brecht/Weill collaborations seem to have zero clue of how to handle either Weill’s music.
Simon Boccanegra has never felt as foreboding or prophetic as it did at a recent performance at La Fenice.
Music Director Eun Sun Kim is at the center of the repertory, and a long Wagner arc is now officially underway
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
I don’t know if it’s overrated because I don’t think anyone rates it, but for pure party disc joy not much beats this 2018 recording of the original 1847 version of Verdi‘s Macbeth.
A stark, sweltering performance of Lady Macbeth of Mtsensk shocks the Komische Oper Berlin.
With Siegfried, the directorial vision of the Paris Opera‘s Ring cycle finally takes root.
This is the classic Onegin and there’s much to love, especially from Khaikin‘s sensitive conducting and Lemeshev‘s ideal Lensky.
An opera about the massacre of Israeli athletes at the 1972 Munich Olympics was never going to be an easy task.
Ponchielli goes east with mixed results in I Lituani.
Both performances moved me profoundly and served as a form of catharsis, ending a challenging 2025 with a glimmer of hope for the future
Easily the Met’s new Sonnambula, where cast and production team delivered a gorgeously sung and well thought out concept for a libretto often derided for its simplicity.
Old pros Gregory Kunde and Pier Luigi Pizzi anchor a new staging of Stiffelio co-produced by three theaters in Emilia-Romagna.
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