Recent Stories
My experiences with live performances of Handel’s operas/oratorios has been hit or miss, mostly miss.
San Diego Opera’s Pagliacci puts a play within a play within a play.
Daniele Rustioni, who starts his tenure as Met Principal Guest Conductor with Don Giovanni this week, might just be the opera conductor we’ve all been waiting for — and he’s betting on a long haul.
I came to The Rake’s Progress with a huge “Show Me” chip on my shoulder.
Lotte De Beer‘s astonishing reading of Aïda at the Paris Opera was a victim both of Covid and the culture wars.
Grand Tier Grab Bag
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Death is the prima donna in this opera, and Herheim doesn’t let you forget it.
A new production of Parsifal at San Francisco Opera stirred something deep inside Michael Anthonio about how music soothes the soul
For me, one of the greatest recordings is the Von Karajan Il trovatore. You have four incredible singers in their top form.
Shirin Neshat‘s Aïda in Paris is a typical instance of what happens when an artist is brought in to direct an opera.
In Jacopo Peri’s seminal Euridice, the Newberry Consort and Haymarket Opera made a compelling case for putting you in the room where it happened.
Talk of the Town
Lina Bruna Rasa should have made it to the Met
In the case of Lina Bruna Rasa, the reasons why she never sang at the Met are painfully clear.
In the case of Lina Bruna Rasa, the reasons why she never sang at the Met are painfully clear.
Conchita Supervia should have made it to the Met
For vibrato fanciers, of course, discovering Supervia is like hitting the mother lode.
For vibrato fanciers, of course, discovering Supervia is like hitting the mother lode.
Gertrud Grob-Prandl should have made it to the Met
Yes, the Met had Birgit Nilsson – so they let the volcano that was Gertrude Grob-Prandl‘s voice slip through their fingers.
Yes, the Met had Birgit Nilsson – so they let the volcano that was Gertrude Grob-Prandl‘s voice slip through their fingers.
Eglise Gutierrez should have made it to the Met
So much color in this beautifully agile voice.
So much color in this beautifully agile voice.
Mado Robin should have made it to the Met
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
Maria Kanyova should make it to the Met
I’m surprised that American soprano Maria Kanyova has never performed at the Met, even though she has loads of high-profile U.S. opera credits.
I’m surprised that American soprano Maria Kanyova has never performed at the Met, even though she has loads of high-profile U.S. opera credits.
I take such comfort in the assumption that someone or something will save us from injustice and the lust for power.
Grand Tier Grab Bag offers a face off of two Polish divas from Aleksandra Kurzak‘s debut performances as Aïda in Verona this summer.
It’s such a joyous score, full of Italian warmth and humanity. Verdi’s late-stage, evergreen score is a constant source of joy.
A new recording of Boito‘s Nerone from Cagliari shows off an epic opera with fire and flamboyance
I have been utterly fascinated by the wildly intriguing choices of “comfort operas” these past few days. For me, Così fan tutte is my absolute first choice.
Dmitry Matvienko led a performance of Mussorgsky and Shostakovich at La Monnaie with meticulous rectitude.
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