Swing and miss
The oddball pairing of Bernie Williams and Jonathan Tetelman doesn’t quite knock it out of the park at Carnegie Hall.
The oddball pairing of Bernie Williams and Jonathan Tetelman doesn’t quite knock it out of the park at Carnegie Hall.
What do you get when you blend innovative 17th century composition, 1970s family drama, and one of the most sordid tales of the New Testament?
Sarah Kirkland Snider’s Hildegard gives the Middle Ages the Bridgerton treatment at the Prototype Festival.
Tobias Kratzer‘s production of Das Rheingold at the Bayerische Staatsoper was a resounding success.
A pairing of rarities makes for an inspired evening with the Brooklyn Art Song Society.
Looking back, this Stiffelio in Piacenza is the one I cherish the most.
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
I wasn’t alive during the golden age of Verdi baritones like MacNeil, Warren, or Gobbi, but hearing Amartuvshin Enkhbat live in an opera house must be the next best thing.
A high-drama Vanessa by the Boston Symphony Orchestra offers something to believe in.
Sir Simon Rattle and the Bavarian Radio Symphony Orchestra strike (almost) all the right notes in their new recording of Mozart’s Idomeneo.
Dan Johnson on the unique voice of Hildegard composer Sarah Kirkland Snider — and why some music could only ever be written by a woman.
I’m going with four outstanding, deeply personal NYC recitals
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
It’s a dazzling, shocking, and entertaining 100 minutes – one of the best new operas I’ve seen.
Washington National Opera is leaving the Kennedy Center, according to The New York Times
Tobias Kratzer digs beneath the surface of Strauss‘s Intermezzo in an excellent new DVD from Deutsche Oper Berlin.
I still don’t think Sunset Boulevard is a top-tier musical but it was by far the most memorable vocal performance I saw in 2025.
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
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