The scorned mother of us all The scorned mother of us all

Seeing Sondra Radvanovsky as Medea at Lyric Opera of Chicago sprawled across the floor, soaked in her children’s blood, is proof that we’re witnessing an utterly haunting singer-actor.

Nothing makes me feel better than <em>Acis and Galatea</em> Nothing makes me feel better than <em>Acis and Galatea</em>

This sequence of two arias is perfectly judged to calm the jangled or melancholic spirit.

Anna goes to the ball Anna goes to the ball

Anna Netrebko managed to debut a new role in Naples earlier this month — Amelia in Un ballo in maschera — and this week’s Grand Tier Grab Bag features her in the complete second Act of her first performance.

Nothing makes me feel better than the 1966 Salzburg Festival <em>Nozze</em> Nothing makes me feel better than the 1966 Salzburg Festival <em>Nozze</em>

This performance truly “never fails to lift my mood.”

Dona nobis pacem Dona nobis pacem

A Missa Solemnis to celebrate 125 years of Boston’s Symphony Hall was sophisticated and subdued.

Nothing makes me feel better than <em>Der Rosenkavalier</em> Nothing makes me feel better than <em>Der Rosenkavalier</em>

Der Rosenkavalier is a three-hour meditation on nostalgia. What could be better to bathe in?

La sonnambula

La sonnambula / Metropolitan Opera

A live broadcast from New York

Streamed October 14, 2025 at 7:25 PM
Adriana Mater

Adriana Mater / Teatro dell'Opera di Roma

Kaija Saariaho‘s opera in a live broadcast from Rome

Streamed October 14, 2025 at 2:30 PM
Hold! Enough! Hold! Enough!

The timing for Boston Lyric Opera’s production of Macbeth this weekend was perfect for Halloween, though the show itself at the Emerson Colonial Theatre was decidedly less spooky.

Rock ‘n’ Tyrol Rock ‘n’ Tyrol

Parterre Box features an exclusive sample of Lawrence Brownlee‘s jump-in performance in La sonnambula from this weekend

Nothing makes me feel better than <em>War and Peace</em> Nothing makes me feel better than <em>War and Peace</em>

‘Comfort opera.’ Hmm… I had to give this one some thought.

Nothing makes me feel better than <em>L’incoronazione di Poppea</em> Nothing makes me feel better than <em>L’incoronazione di Poppea</em>

I have listened to this clip on the way to every first date I’ve ever been on.

The Bartered Bride

The Bartered Bride / Wiener Staatsoper

A live broadcast from the Wiener Staatsoper (in German)

Streamed October 11, 2025 at 1:30 PM
The Queen of Spades

The Queen of Spades / Garsington Opera

Laura Wilde and Aaron Cawley lead a performance recorded at Garsington this summer

Streamed October 11, 2025 at 1:00 PM
Seen and heard Seen and heard

Mere days remain to contribute to The Talk of the Town for the rest of the year!

Nothing makes me feel better than <em>The Cunning Little Vixen</em> Nothing makes me feel better than <em>The Cunning Little Vixen</em>

The opera is life affirming, but also recognizes that life comes to an end.

Mommy and me Mommy and me

Today’s Grand Tier Grab Bag features Chiara Isotton and Joyce El-Khoury as two murderous mommies in the final scene of Cherubini‘s Medea (and Medée)

Nothing makes me feel better than <em>Elektra</em> Nothing makes me feel better than <em>Elektra</em>

My comfort opera is Elektra. Yes, you read correctly, Elektra.

Turandot

Turandot / Metropolitan Opera

A live broadcast from New York

Streamed October 9, 2025 at 7:25 PM
Nothing makes me feel better than the 1961 performance of <em>Turandot</em> Nothing makes me feel better than the 1961 performance of <em>Turandot</em>

The old Nilsson/Corelli radio checks from the 1960s are a reminder that what this opera needs are VOICES.

Ain’t no mountain high enough Ain’t no mountain high enough

A new production of La sonnambula at the Metropolitan Opera is musically charming if dramatically confounding.

Seeing double Seeing double

Jonas Kaufmann has a new lieder album called Doppelgänger, but the contents of the album vary depending on how you purchase it.

Nothing makes me feel better than Roberta Peters in <em>Die Zauberflöte</em> Nothing makes me feel better than Roberta Peters in <em>Die Zauberflöte</em>

Other queens have been richer of voice or more dramatically compelling, but none I have ever heard succeeds in sounding something other than human.

La bohème

La bohème / Dallas Opera

Bekhzod Davronov, Sylvia D’Eramo, Takaoki Onishi, and Emily Pogorelc lead a performance recorded last spring in Dallas

Streamed October 6, 2025 at 9:00 PM