Old friends, new friends
Les Arts Florissants present two ravishing programs in Brooklyn and Manhattan.
Les Arts Florissants present two ravishing programs in Brooklyn and Manhattan.
Big voices overwhelm Claus Guth‘s toothless staging of Khovanshchina at the Berlin Staatsoper.
“Vesselina’s Chest Voice” is my new drag name.
Across three evenings at the 92nd Street Y, Konstantin Krimmel and Ammiel Bushakevitz traversed all of Schubert‘s major song cycles with stark intensity.
Dear Joan with her trills and ornaments brings “Joy to the World” every holiday season. Wishing a Merry Christmas and Happy Holidays to all.
This spring’s Talk of the Town is craving your operatic dominance and your submissions by January 15.
In recital for the Los Angeles Opera, tenor Ben Bliss makes the case for the next stage of his career.
Christmas kitsch is great fun, of course, but Christmas can be just as wonderful without it, as this great singer proves.
Gulfshore Opera’s vigorous production of Carmen answers a familiar question.
It would be difficult to find a better description for Ambroise Thomas’s newly-recovered Psyché, recently heard in a new recording from Palazzetto Bru Zane, than the one uttered by her suitors: “Charmante Psyché!”
Christmas should be over the top, opulent, a little sad, utterly sincere, and ever so vulgar.
Grand Tier Grab Bag highlights La Scala’s opening night prima donna Sara Jakubiak with an excerpt of her Chrysothemis recorded last year.
Offenbach‘s Robinson Crusoé is salvaged from obscurity.
Auntie Joan goes the whole nine yards on this one and invigorates it to make it work in a way as no one else can.
It is a physical pleasure to hear Kate Lindsey at close quarters.
“This isn’t an opera that touches on queer themes; it’s a bundle of queer themes tied up in an opera.”
Like Type 2 Diabetes, symptoms of YAS (Yuletide Aversion Syndrome) commonly creep up on gay men after manopause.
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