Recent Stories
With the 2025 Bayreuth Festival beginning next week, Grand Tier Grab Bag spotlights the Eva of its opening Meistersinger: Christina Nilsson
Jacquelyn Stucker talks to Kevin Ng about repertoire, tearing down the Fach system, and what it takes to make music from baroque to George Benjamin her own.
It’s like making love with someone whose rap never ceases—and includes “helpful suggestions” about how you can be improving your game.
Chris’s Cache would argue that Prokofiev’s Betrothal in a Monastery is a much more enjoyable alternative to the pandemic-canceled Barrie Kosky The Fiery Angel
Wolf Trap Opera kicked off its summer season with an inventive production of Wolfgang Amadeus Mozart’s Le Nozze di Figaro inspired by Pablo Picasso that showcased up-and-coming singers.
Despite having endured premiers at the Santa Fe Opera, including Cold Mountain, Oscar, and The (R)evolution of Steve Jobs, all of which were disappointing on every level, Santa Fe Opera’s 2011 production of Menotti‘s The Last Savage is an opera I never care to see or listen to again.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Landing the plane
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Grand Tier Grab Bag
Le galant tireur
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
Grand Tier Grab Bag
My 600 performance life
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Grand Tier Grab Bag
Life imitates art
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Grand Tier Grab Bag
Drink me
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Grand Tier Grab Bag
Otherwise occupied
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
When such a canonically ossified work like Verdi’s Aïda is directed at all (let alone as ambitiously as Damiano Michieletto at the Maggio Musicale Fiorentino), it does feel like a completely different opera
A performance of Cavalli‘s opera recorded last week at the Festival d’Aix-en-Provence
Joan Sutherland as Norma is something I’ve never been able to get.
A live video broadcast from Zurich starring Saimir Pirgu in the title role
A live broadcast from the Festival d’Aix-en-Provence
The opening of Teatro Nuovo’s Macbeth next week is the first of two opportunities this year to hear the opera in its original 1847 Version
I don’t understand the booing of singers, whether it’s booing bad characters, or booing singers who don’t live up to the booer’s expectations.
Talk of the Town
The Talk of the Town
A favorite art song performance from Peter
A favorite art song performance from Peter
A very haunting Hugo Wolf song sung exquisitely here by Arleen Auger.
A very haunting Hugo Wolf song sung exquisitely here by Arleen Auger.
The Talk of the Town
A favorite art song performance from TildyDiva
A favorite art song performance from TildyDiva
I had heard the renowned Dutch soprano on recordings and was an admirer of hers. I was unprepared, however, for such a truly memorable evening.
I had heard the renowned Dutch soprano on recordings and was an admirer of hers. I was unprepared, however, for such a truly memorable evening.
The Talk of the Town
A favorite art song performance from Lou Ann Darras
A favorite art song performance from Lou Ann Darras
Thanks to Elly Ameling, I made it through college.
Thanks to Elly Ameling, I made it through college.
The Talk of the Town
A favorite art song performance by Harry Rose
A favorite art song performance by Harry Rose
What a shaded and elegant delivery William Mattteuzzi brings to this lilting setting of D’Annunzio‘s “O falce di luna calante”!
What a shaded and elegant delivery William Mattteuzzi brings to this lilting setting of D’Annunzio‘s “O falce di luna calante”!
The Talk of the Town
A favorite art song performance from David Phillips
A favorite art song performance from David Phillips
Does this count as an art song?
Does this count as an art song?
The Talk of the Town
A favorite art song performance from Mr. Portafiori
A favorite art song performance from Mr. Portafiori
I have always loved this recording of Canteloube‘s Chants d’Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
I have always loved this recording of Canteloube‘s Chants d’Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
In Smetana‘s Dalibor, a rescue opera and a nationalistic fable collide at this year’s SummerScape Festival
Chris’s Cache presents for carefree summer listening a delightful 20th century operetta featuring a perhaps unexpected casting surprise in the title role: Lehár’s Die Lustige Witwe starring Hildegard Behrens.
I so don’t get why any company in the Anglophone world ever bothers to perform Continental operetta in English.
Les Brigands at the Paris Opera is an expensive joke that never lands
This evening of Julius Eastman at Lincoln Center was so good it hurt
The opening of the Santa Fe Opera’s season is the perfect occasion to highlight its Susanna, American soprano Liv Redpath
A new production of Dialogues des Carmélites featuring Anna Caterina Antonacci proves that it’s hard to be an iconoclast in Venice.
When I first encountered Joyce DiDonato in the early 2000s, I found her to be the case of an extraordinary technique and intelligent artistry supporting a rather ordinary voice.