Monkey business
The Monkey King at San Francisco Opera combines spectacle and sentiment.
The Monkey King at San Francisco Opera combines spectacle and sentiment.
Grand Tier Grab Bag features a complete performance of Ernest Chausson‘s Poème de l’amour et de la mer ahead of a particular year for both its soloist and conductor.
The production is based on the Elisabeth Fritzl story, and it really made me reconsider this opera’s fairy tale storyline.
Vincent Lombardo pays poetic tribute to the 60-year-long career of Robert Wilson.
As Messiah season begins, Christopher Corwin reports on two of Handel’s forays into the Old Testament.
Washington National Opera presented a well-sung and humorous Marriage of Figaro, buoyed by clever direction and a strong cast, particularly Rosa Feola’s Countess and Joélle Harvey’s Susanna.
Carl Orff’s cantata tries its fortunes at the Lyric Opera of Chicago.
I never thought an opera production could be this well done.
Les Camilles both agree on this one. And WHY? You ask??!
A new recording of La fiamma from Deutsche Oper Berlin sets Respighi’s score ablaze.
Austin Opera’s 40th anniversary gala celebrated the present while gesturing boldly towards the future.
Pittsburgh Opera’s Fellow Travelers delivers a timely story with detail and care.
Jeanine Tesori’s Blue is an ambitious and worthy opera that deserves a better presentation than it got at Lincoln Center on Saturday.
Barbara Hannigan‘s Lulu is the greatest live performance I’ve seen.
“Protect the dolls, they say, but who really cares for them?” This question, posed by performer Mara Snip during the postlude of Neuköllner Oper’s 1000 Airplanes on the Roof, had a clear answer: Aliens.
Grand Tier Grab Bag looks forward to a big week for Umberto Giordano by sharing Sondra Radvanovsky and Gregory Kunde performing the final duet from Andrea Chénier.
Michael Thalmeier‘s Tristan und Isolde in Berlin asks, how much minimalism is too much minimalism?
Who are the rats? Why are their tails getting longer? Is Lohengrin a rat trying to free himself from a maze?
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