Curioser and curioser
Three more months of The Talk of the Town means that we need your most sizzling takes!
Three more months of The Talk of the Town means that we need your most sizzling takes!
Boris Christoff‘s sound is justly famous, and his vocal splendor is on full display here.
Baritone Quinn Kelsey’s recital of English-language art songs in partnership with pianist Craig Ketter was a worthy celebration of Vocal Arts DC’s 35th-anniversary season.
Christopher Purves in Saul – the clarity, the range, the expression, the drama!
Lise Davidsen, Michael Spyres, and Yannick Nézet-Séguin are astonishing in Tristan und Isolde at the Met, while Yuval Sharon‘s new production is anything but.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Time to Act at Pittsburgh Opera effectively employs Greek tragedy to explore the all-too-common tragedies haunting schools across the United States.
No one in my experience both live and on records could swagger, spin out roulades, and ripple through Rossini and Handel like Samuel Ramey.
Before hearing Samuel Ramey as Zaccaria in Nabucco, I had always been more interested in higher voices.
A captivating Asmik Grigorian leads the Bayerishce Staatsoper‘s revival of its Holocaust-set Salome.
Ilana Walder-Biesanz discovers how Houston Grand Opera is celebrating 250 years of America and 100 years of Carlisle Floyd with a new production of Of Mice and Men.
This performance features Samuel Ramey in what I consider one of the most powerful deliveries of this aria on record.
“Even Peter Gelb’s critics concede that he has had a long run of finding pots of gold,” says The New York Times of the Metropolitan Opera‘s dire money troubles. “But is he running out of rainbows?”
Nobody in my experience has come close to rivaling Samuel Ramey as the shy, lovelorn Englishman Lord Sidney from that first cast.
Confused dramaturgy dampens an otherwise sparkling night of singing in Opera Baltimore’s Lucrezia Borgia.
American Bach brings out the operatic side of Bach in a program featuring sparkling vocal talents.
Mascagni‘s Zanetto, a slight, Renaissance scene, gets a new recording from the Berlin Opera Group.
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