Recent Stories
Dmitry Matvienko led a performance of Mussorgsky and Shostakovich at La Monnaie with meticulous rectitude.
This is not exactly a comfort “opera” as it is from Handel’s late oratorio Theodora which is sometimes staged as an opera.
Die ägyptische Helena isn’t even an opera I love so much as a whole.
I was first exposed to Hänsel und Gretel as a child, likely via The Metropolitan Opera’s 1982 PBS telecast.
What Opera Lafayette’s Dido and Aeneas lost in gravitas it gained in charm and specificity.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Lux aeterna luceat eis
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag
Kathryn the great
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Grand Tier Grab Bag
Count your blessings
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
One man’s Junker
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Don’t cry because it’s over
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag
Rizzin’ to the occasion
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Brendan Latimer sits down with Francesca Zambello and members of the cast of Washington National Opera’s production of Aïda to discuss the complicated legacy of one of Verdi’s most beloved works and the tricky business of “inventing the truth.”
Grand Tier Grab Bag highlights two “Final Trios” from Der Rosenkavalier recorded just two days apart from one another.
My comfort opera after all these years remains Puccini’s Madama Butterfly, even with its sociologically problematical presentation of Japanese culture.
Anthony Hüseyin‘s eclectic recital in Berlin explores femicide in opera through a queer, nonbinary lens.
Beckmesser’s serenade never fails to amuse, particularly when sung by Thomas Allen in this ROH recording from 1997 under the late Haitink with Tomlinson, Gustafson, Winbergh, and Lippert.
Matthias Goerne‘s Die schöne Müllerin at Carnegie Hall offers a hoary and excessive collection of mannerisms and vocal tics that served the artist more than the music itself.
In his new production that opens at San Francisco Opera this weekend, Matthew Ozawa is creating a Parsifal for the cancel culture age.
Talk of the Town
The Talk of the Town
Anna Caterina Antonacci should have made it to the Met
Anna Caterina Antonacci should have made it to the Met
The one who got away was Anna Caterina Antonacci, a thrilling performer.
The one who got away was Anna Caterina Antonacci, a thrilling performer.
The Talk of the Town
Lina Bruna Rasa should have made it to the Met
Lina Bruna Rasa should have made it to the Met
In the case of Lina Bruna Rasa, the reasons why she never sang at the Met are painfully clear.
In the case of Lina Bruna Rasa, the reasons why she never sang at the Met are painfully clear.
The Talk of the Town
Conchita Supervia should have made it to the Met
Conchita Supervia should have made it to the Met
For vibrato fanciers, of course, discovering Supervia is like hitting the mother lode.
For vibrato fanciers, of course, discovering Supervia is like hitting the mother lode.
The Talk of the Town
Gertrud Grob-Prandl should have made it to the Met
Gertrud Grob-Prandl should have made it to the Met
Yes, the Met had Birgit Nilsson – so they let the volcano that was Gertrude Grob-Prandl‘s voice slip through their fingers.
Yes, the Met had Birgit Nilsson – so they let the volcano that was Gertrude Grob-Prandl‘s voice slip through their fingers.
The Talk of the Town
Eglise Gutierrez should have made it to the Met
Eglise Gutierrez should have made it to the Met
So much color in this beautifully agile voice.
So much color in this beautifully agile voice.
The Talk of the Town
Mado Robin should have made it to the Met
Mado Robin should have made it to the Met
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
The color, power, and character are all there in this recording.
Buoyed by a strong cast, The Metropolitan Opera continues its autumn bel canto streak with a winning revival of Donizetti’s La fille du regiment.
Parsifal puts Monsieur to sleep when he most needs it. He has probably listened to more versions than actually exist.
This may be a rather trite choice, but I genuinely believe that Rossini comedies make the ultimate comfort operas.
Rolando Villazón opens up about his production of La sonnambula, how he develops characters, and what makes opera dance.
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