Janet Baker should have made it to the Met

The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.

Among her quintessential recordings is a recording of “Dido’s Lament” from Purcell’s Dido and Aeneas, an essential recording of this deeply moving aria. Baker’s unmistakable timbre and impeccable style is perfect for Dido, as it also was for both Dido and Cassandre in Berlioz’s Les Troyens.

Comments

Sign up for Parterre’s free newsletter.

Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.

By submitting your email address, you will receive a free subscription to Parterre Box’s email newsletters and occasional special offers from us and our affiliates. You can unsubscribe at any time and we encourage you to read more about our Privacy Policy.