Some filth or dementia from Michael Anthonio

Speaking of dementia in opera, all I can think of is the extraordinary reimagined production of Béla Bartók’s chamber opera Bluebeard’s Castle that I saw at Atlanta Opera in October 2022.

To date, it remains the most convincing and powerful reinterpretation of a well-known opera I’ve seen. In this version, a husband-and-wife team grapple with the implications of dementia. Instead of doors masking Bluebeard’s true soul, the audience encounters Judith’s fraught relationship with her memories and the effect it has on her husband.

Sung with white-hot intensity by Susan Bullock and Michael Mayes, this performance was a co-production with England’s Theatre of Sound and Opera Ventures that explored the fleeting nature of memory and the fragility of life. Its effects linger long after the performance ends. Atlanta Opera admirably held a second-Act talkback to discuss the show’s impact on its audience. I only wish I could experience it again somewhere!

Michael Anthonio

Michael Anthonio's love affairs with classical music and opera started in primary school, when his parents bought him an organ and he began taking lessons. During high school and college, he gave private organ lessons to some of his parents' friends' kids (for pocket money) and he was church organist and later, choir conductor. In 1999 he moved to Singapore where he got involved with the classical music online website "flying inkpot." His interest in opera became an obsession when he was transferred for work to US in 2008. In addition to enjoying world-class opera in SF, he indulges in opera tours in Europe. His favorite opera composer is Handel; at this point, Michael seen 24 of his operas , with hopefully three more coming next year.

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