Christopher Corwin
Christopher Corwin began writing for parterre box in 2011 under the pen name “DeCaffarrelli.” His work has also appeared in , The New York Times, Musical America, The Observer, San Francisco Classical Voice and BAMNotes. Like many, he came to opera via the Saturday Met Opera broadcasts which he began listening to at age 11. His particular enthusiasm is 17th and 18th century opera. Since 2015 he has curated the weekly podcast Trove Thursday on parterre box presenting live recordings.
“Trove Thursday” marks St. Cecilia’s Day with two works by Henry Purcell, the composer who often celebrated music’s patron saint.
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Alexander Birch Elliott‘ s dynamic if gauche Zurga added some pizzazz to an otherwise bland evening.
“The heavens are telling” begins the famous chorus that ends the first section of The Creation.
Two of today’s most compelling divas tackle a hair-raising early 20th century German masterpiece for “Trove Thursday.”
Just over a month ago the great Catalan soprano Montserrat Caballé died at age 85.
Throughout the evening I couldn’t help thinking that this1870s Biblical epic of erotic obsession and penance was what the Met should have been doing this fall rather than its misbegotten Samson et Dalila.
“Trove Thursday” keeps the evil deeds going this All Saints’s Day with a vintage La Scala broadcast of Arrigo Boito’s only completed opera Mefistofele.
The Hungarian State Opera and Hungarian National Ballet opened their visit to Lincoln Center Tuesday night with the US stage premiere of their “national opera” Bánk Bán.
“Trove Thursday” offers due local Lombardi: one with Renata Scotto and José Carreras, the other with Aprile Millo and Carlo Bergonzi.
He returned. He sang. He didn’t get hanged.
“Trove Thursday” presents Karl Goldmark’s Die Königin von Saba in a broadcast with Anja Silja, Sabine Hass, Siegfried Jerusalem and Wolfgang Brendel conducted by Julius Rudel.
“Berlioz Takes a Trip” proclaimed the free psychedelic buttons available at Carnegie Hall Monday referring to Symphonie Fantastique,the evening’s surefire crowd-pleaser.
For the second annual edition of “Handel rarities for my birthday” three early Italian cantatas on this week’s “Trove Thursday.”
As opera’s reigning tenor-superstar, Jonas Kaufmann can pretty much do whatever he wants and a sizable adoring public will lap it up.
“Trove Thursday” offers a triple bill by that extraordinary composer Hector Berlioz.
“Trove Thursday” features a great composer who had little success on the stage—Franz Schubert.
For opening night 2018, the Met offered the creaky but appealing biblical epic Samson et Dalila, presumably as a vehicle for Elina Garanca and Roberto Alagna.
Celebrating its third anniversary and next week’s Met opening, “Trove Thursday” offers a sumptuous banquet of the third and final chapter of divas in the “wrong language.”
“Trove Thursday” offers a broadcast from last year’s London world premiere of Nico Muhly’s Marnie.
“Trove Thursday” gives a preview of Saint-Saëns’s Samson et Dalila with a broadcast featuring an unexpected temptress—Dolora Zajick—who will celebrate the 30th anniversary of her Met debut next month.
Sometimes the fates conspire, preventing an artist from recording the role for which he is his generation’s touchstone.
Lately “Trove Thursday” has been binging on prima donnas so the rest of August will be more tenor-centric. This week brings a double bill starring the marvelous Michael Spyres, a specialist in rarities: Rossini’s Ermione and that American obscurity Candide whose composer’s 100th birthday, by the way, is this Saturday.
Armide with a superbly grand Francophone heroine in Karina Gauvin and conducted by the always excellent Ivor Bolton.
To heck with Bayreuth and Salzburg, Glimmerglass and Santa Fe as Rosa Feola sang Mozart at Lincoln Center Friday night and I wouldn’t have been anywhere else!
