With La Scala’s plan to open on December 7 with a new Lucia di Lammermoor thwarted, Trove Thursday sets its Wayback Machine to nearly 50 years ago to present two of the 20th century’s greatest madwomen—Joan Sutherland and Beverly Sills—denounced by Plàcido Domingo and Alfredo Kraus respectively, with the former pair consoled by Kurt Moll‘s luxurious Raimundo.
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Trove Thursday celebrates early St. Cecilia’s Day—November 22—with a 1976 performance of Licino Refice’s Cecilia starring Renata Scotto as the patron saint of music and musicians.
Tonight at the Met should have welcomed Barrie Kosky’s production of Prokofiev’s The Fiery Angel; in its absence Trove Thursday steps in with a recent broadcast featuring this summer’s breakout star Ausrine Stundyte as the enigmatic Renata.
For this, the 250th edition of Trove Thursday, [hold for applause] a broadcast of a memorable evening at Carnegie Hall—and I was there: Smetana’s stirring Libuse, the Czech national opera, with a transcendent Gabriela Benackova as its titular prophetess.
Trove Thursday celebrates the centenary of Stravinsky’s Pulcinella not with the frequently heard orchestral suite but with the complete score in a broadcast featuring appropriately Italian forces including Anna Caterina Antonacci, Francesco Meli and Alex Esposito conducted by Daniele Gatti.
The worldwide “Beethoven 250” celebration hasn’t exactly come off as planned, so Trove Thursday steps up to offer the composer’s rarely-heard oratorio Christus am Ölberge with Jonas Kaufmann typecast in the title role, revered by Luba Orgonásova and Hanno Müller-Brachmann, plus a fleet HIP broadcast of the Choral Fantasy from earlier this year.
Next month in Bergamo Plácido Domingo takes on his zillionth—and possibly final—new role, so Trove Thursday previews it by returning to the same venue 50 years earlier for Donizetti’s Belisario with Leyla Gencer and Renato Bruson, a real baritone as its titular hero.
On the 21st of this month Romanian soprano Virginia Zeani will celebrate her 95th birthday and Trove Thursday salutes her versatility with two markedly different 20th century works: Menotti’s The Consul and Mascagni’s Il Piccolo Marat, one of many collaborations with her husband Nicola Rossi-Lemeni.
While the Met reruns over-familiar HDs, Trove Thursday offers a Puccini rarity: Edgar, the composer’s second opera, starring Latonia Moore and Marcello Giordani.
Produced at Carnegie Hall by Matthew Epstein in 1983 with June Anderson, Marilyn Horne, Samuel Ramey and Douglas Ahlstedt with Henry Lewis conducting.
By La Cieca
Joining the Met’s week of bel canto reruns and Tuesday’s premiere of Teatro Nuovo’s exciting new project, Trove Thursday presents Bellini’s I Capuleti ed I Montecchi with Tatiana Troyanos and Cecilia Gasdia.
With the lovely, largely now forgotten Adriana Maliponte in the title role.
By La Cieca
The operas of Saverio Mercadante are often said to be among those 19th century Italian works most worthy of revival; in case you’ve never heard one, judge for yourself with a 1974 broadcast of his best-known work, Il Giuramento, with Annabelle Bernard, Agnes Baltsa, José Carreras and Robert Kerns.
By La Cieca
Renée Fleming takes on the title role of Boieldieu’s La Dame Blanche with Opera Orchestra of New York at Carnegie Hall.
By La Cieca
“Trove Thursday” presents the late great Belgian mezzo Rita Gorr parenting Régine Crespin.
By La Cieca
Trove Thursday began on September 10, 2015, so today we celebrate the podcast’s fifth birthday with a diva-starry Aïda double-bill: Galina Vishnevskaya vies for her soldier-hero with Irina Arkhipova, then Jessye Norman wins the guy (but loses her life) in spite of Mignon Dunn.
Jean-Paul Fouchécourt is an irresistibly self-absorbed sea-nymph in Rameau’s Platée which also features a dazzling star-turn by Mireille Delunsch as La Folie.
By La Cieca
In tribute to soprano Christiane Eda-Pierre, who died September 5.
By La Cieca
Barbara Hannigan sings Poulenc’s monodrama led by Esa-Pekka Salonen.
By La Cieca
“Peter Mattei, one of my two favorite baritones these days, in an unexpected title role, Britten’s Billy Budd.”
By La Cieca
As Phaedra’s tragic, all-consuming passion for her stepson Hippolytus has fascinated artists for centuries, Trove Thursday offers two of its lesser-known musical settings: Pizzetti’s opera Fedra with Régine Crespin and Lorraine Hunt Lieberson performing the cantata Phaedra, Britten’s final vocal work.
Samuel Barber’s gothic melodrama starring the great Carol Vaness.
By La Cieca
In consonance with the Met’s evening programming this week of “20th Century and Beyond” works, we are proud to offer for your afternoon listening discussion Stravinsky’s opera-oratorio whatever-it-is featuring Jessye Norman.
By La Cieca
Michael Fabiano in one of his specialties as the dashing hero of Il corsaro torn between Tamara Wilson and Nicole Cabell.
By La Cieca
