“A first-class second-rate composer”
Trove Thursday explores the alpha and omega of Richard Strauss.

Like other American tenors Stephen Gould and Robert Gambill, Dean Smith’s major Wagner and Strauss career has taken place almost entirely in Europe. True he saved the day for the Met making his debut on its 2008 HD of Tristan und Isolde but otherwise he’s only sung some Puccini (?) there: Pinkerton and Cavaradossi.
Although more occasionally heard in the US and Canada, Owens too has performed a great deal in Europe where she sings her first Elektra in Stuttgart in July following Turandot at the Maggio Musicale Fiorentino.
I admit to having a hard time with Capriccio but its final scene is one of the Strauss’s greatest glories and who better to perform it than Della Casa? Her Vier Letzte Lieder recording under Karl Böhm remains one of my favorites, as does her near-definitive Arabella.
httpvh://www.youtube.com/watch?v=nfZlDfVwqls
Check out Harry Rose’s review in The Washington Post of Hamlet, Washington Concert Opera’s most recent offering.
Strauss: Guntram
Washington Concert Opera
1 March 2015
Broadcast
Freihild – Marjorie Owens
Guntram – Robert Dean Smith
The Old Duke – Tom Fox
Duke Robert – Zachary Nelson
Freihold – Wei Wu
Conductor – Antony Walker
Strauss: Capriccio – Final Scene
Carnegie Hall
17 December 1960
Broadcast
Lisa Della Casa
New York Philharmonic
Conductor — Gregory Villar
Both Guntram and the finale of Capriccio can be downloaded by clicking on the icon of a square with an arrow pointing downward on the audio player above and the resulting mp3 files will appear in your download directory.
In addition, nearly 300 other podcast tracks, including other Strauss works, are always available from iTunes for free, or via any RSS reader.
The archive listing all “Trove Thursday” offerings in alphabetical order by composer was just updated to include all material as of mid-November 2019.
Christopher Corwin
Christopher Corwin began writing for parterre box in 2011 under the pen name “DeCaffarrelli.” His work has also appeared in , The New York Times, Musical America, The Observer, San Francisco Classical Voice and BAMNotes. Like many, he came to opera via the Saturday Met Opera broadcasts which he began listening to at age 11. His particular enthusiasm is 17th and 18th century opera. Since 2015 he has curated the weekly podcast Trove Thursday on parterre box presenting live recordings.
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Topics: richard strauss, trove thursday