Christopher Corwin

Christopher Corwin began writing for parterre box in 2011 under the pen name “DeCaffarrelli.” His work has also appeared in , The New York Times, Musical America, The Observer, San Francisco Classical Voice and BAMNotes. Like many, he came to opera via the Saturday Met Opera broadcasts which he began listening to at age 11. His particular enthusiasm is 17th and 18th century opera. Since 2015 he has curated the weekly podcast Trove Thursday on parterre box presenting live recordings.

Mad Max

Trove Thursday begins 2022 with a favorite magical opera tinkered with by another great composer: Weber’s Der Freischütz in Berlioz’s French version conducted by Christoph Eschenbach with the great José van Dam as Gaspard!

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The key of dreams

My sister Julie celebrates an important birthday later this month which reminded me—as I also recalled I visiting her while she was living in Prague—that I should unearth Bohuslav Martin?’s Julietta with Lucia Popp and Dénes Gulyás for this week’s Trove Thursday.

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How deep is your love

As one can see from the chronology published earlier this year, the American Opera Society, in addition to reviving a number of now familiar operas, introduced many singers who became important local figures; however, there were shooting-star exceptions like today’s Trove Thursday offering of d’Albert’s Tiefland featuring Angeles Gulin and Ion Buzea.

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We are family

Symphony orchestras crave Wagner so much they occasionally program single acts of one of the master’s demanding operas, especially Die Walküre’s rapturous first, so Trove Thursday offers six (!) incestuous concert renditions spanning half a century.

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Take me to the world

With one show opening Sunday, another beginning previews on Monday and two more scheduled for the spring, 2021-22 will be yet another Stephen Sondheim-centric season in New York City which leads Trove Thursday to offer three “international” live recordings in which the artist’s works are performed without his inimitable English lyrics.

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Straight to hell

November in New York hosts two premieres dedicated to mythology’s greatest musician, which prompts Trove Thursday to present a vintage Monteverdi L’Orfeo with Judith Raskin and Gérard Souzay conducted by Leopold Stokowski (!) and a recent HIP London broadcast of Luigi Rossi’s L’Orfeo.

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Quicksilver princess

Trove Thursday remembers Edita Gruberová with live recordings of two of the three operas I heard her perform at the Met: a 1985 Munich La Traviata with Neil Shicoff and Wolfgang Brendel conducted by Carlos Kleiber and an I Puritani from Vienna 1994 featuring two other artists who recently left us too soon: Marcello Giordani and Dmitri Hvorostovsky.

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Sachs appeal

Last night’s cast of Die Meistersinger at the Met, dominated by the irascible, unbeatable duo of Michael Volle and Johannes Martin Kränzle as Sachs and Beckmesser, did much to enliven Otto Schenk’s creaky, nearly 30-year-old production.

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